‘LA RIUÁ’ October 14, 1957: 60 Years Since The Flood That Changed Valencia Forever

On October 14, 1957, a little known disaster occurred in the Spanish city of Valencia. When I first moved to Valencia in 2005, I heard the story of the Turia (the Valencia river) flooding the city in the 1950’s. Now, the city has the beauty of a park in place of the dry riverbed. Years after I first moved to Spain, I decided to research the event in more depth (excuse the pun), and it is the backdrop for my second Secrets of Spain novel, Vengeance in the Valencian Water (out Jan. 2014).

In my first book of the series, Blood in Valencian Soil, Cayetano, a bullfighter from Madrid and Luna, a bike mechanic from Valencia, team up to find the burial-place of a murdered Republican soldier and his involvement with an International Brigade nurse, who disappeared from Cuenca in 1939.  The second book of the series, while on the search for more civil war mass graves, Cayetano’s Falange member grandfather, José, is forced to tell his story of survival during the Valencian flood which changed his life forever.

city mapThe Turia wasn’t always a flowing torrent of water. While there has been recorded flood records since the 1300’s, the riverbed spent most of its time dry, where people would walk to the tiny stream to wash their clothes. Shack houses sprung up in the riverbed. Sales of animals were held down in the riverbed. It was not a year round flowing river. Serious floods had happened every century that the modern city was based against the Turia, the most recent in only 1949 when several dozen people drowned. Even so, they were unprepared for October 1957.

Before you read on, here is the link to a documentary made in 2007 by Valencia University, with radio reports, video footage and eyewitness accounts of the flood. It’s all in Spanish, but if you don’t speak the language, you could just mute the sound and watch the video if you want, you will get the idea. Floods pretty much speak for themselves.

Each October, rain comes to the Valencia region, not so much in the city area, but in the surrounding plains and mountainous area that separates the city from inland Spain (If you’re new to this area, Valencia is both a city and a province of Spain. Just a heads-up). The rainfall surges during this change in autumn, onto land that is very dry after a long year without much rain. On Saturday 12 October, 1957, the heavens opened up over Valencia city, in conjunction to the torrential rains in surrounding villages in the Turia (plains around the city) region. On the morning of Sunday 13 October, Las Provincias newspaper noted that the outlying towns of Lliria, Segorbe, Chelva, Requena and Buñol had received rainfall of 500 millimetres in only two days. The Barranco del Carraixet and Palancia rivers north of the city, and the Magre river to the south, along with the Turia river through than ran Valencia city had all risen, but said there was no reason to worry. The rain began to die down in the city, and by late evening, had stopped completely. What the people of Valencia didn’t know was the immense torrent that was gushing its way down the Turia river towards them.

At around 9.30pm, an emergency call came through from the towns of Pedralba and Vilamarxant, 40 kilometres from Valencia, announcing that both towns had been flooded by a deluge of water as the river swelled beyond breaking point. At 11pm, an alarm sounded in the city, notifying all Guardia Civil and Police to be on alert, as the flood was heading directly towards the populated city.

Just after midnight, with the absence of rain, the river continued to swell, and logs and debris began floating through the city, blocking the bridges that connected the two sides of Valencia. Alarms sounded to alert people, and messengers knocked on doors in the El Carmen and Campanar areas, both the closest barrios on each side of the river’s edge. Radio messages went out with a flurry as police rushed to warn people of impending water. Soon after, the first waves began crashing over the edge of the riverbed, instantly flooding the flat streets on both sides, just as the torrential rains returned. In one hour, the water height pouring against the central city was between one to two metres and rising, cutting people off from any escape in the dark. More than 1000 cubic metes of water per second flowed into the streets, reaching over two metres in some areas. The Manises Dam at the edge of the city rose to seven metres above normal height as the river tripled its width and swallowed up much of the city and surrounding area. All water, power and phone connections were swamped and collapsed under the water. Reports say manhole covers exploded into the air followed by a violent shot of muddy water as the water took the city one street at a time.

ciudadinundada-1(If you don’t speak Spanish – blue: river, green: populated flooded farming areas, purple: city/town flooded, grey: not flooded populated areas. Notice the tiny safe area in the centre of the disaster zone?)

In the centre of the old town lies the Plaza de la Virgen and Plaza de la Reina, where today stands the Valencia cathedral,  the Basilica and the archbishop’s palace just behind them. Along with Calle Micalet, this tiny pocket was once home to a mosque and before that a Roman city. This area is built on the slightest, and almost impossible to see, ridge in the land, resulting in these treasures not getting any water and instead were surrounded. (Coincidentally, in my novel, the main character lives one street over from Calle Micalet in this magical pocket of space, but don’t be fooled into thinking they are all going to be safe – you know I don’t write happy endings!)

At 4am, the flood reached its peak of approximately 2,700 cubic metres of water per second, but then quickly tapered off. As the sun rose on Monday October 14, the water continued to decrease and the Manises dam was no longer inundated. From the peak of around eight metres above average to only two metres at the dam, Valencians thought the worst was over. A single telephone line to Castellon in the north remained, so emergency services could get word to Madrid, calling for help. All roads and rail lines leading out of the city towards Madrid, Barcelona and Albacete were blocked, damaged or completely swept away. Many of the bridges that crossed the Turia were damaged or destroyed, along with the beautiful stonework that lined the river one day earlier.

riada10As people ventured out into the water and mud-filled streets, the government received a message around midday that things were about to get worse. The towns of Pedralba to Vilamarxant had again been inundated with a second flood, washing away all landmarks. The water took two hours to reach Valencia city, with 3,500 cubic meters of water per second hitting around 2pm, accompanied by the worst downpour of rain yet seen; around 100 millimetres in just half an hour, enough that people couldn’t even see in front of them. By 3.30pm, the flood reached its peak of around 6,000 cubic metres of water per second, enough to start washing away buildings that had been weakened in the first flood. The river had expanded to cover 2,200 hectares. While Valencia city gave many the luxury of multi-story buildings to find shelter above the water line, which rose between two to five metres above street level in places, the more outlying areas by the beach and port, including the towns of Nazaret, El Cabanyal and Malvarrosa at the mouth of the river, were on flat land and single level buildings, resulting in a complete catastrophe and loss of life as the water poured into the sea. Only five bridges, the longest-standing stone ones, remained in place, though some were damaged and impassable. The worst had finally passed, and the riverbed emptied out into silence again. The final death toll was recorded as 81, though the actual figure remains unknown, but commonly thought around 400.

riada07In the coming days, the army came in by truck and helicopter, bringing up to 500,000 kilos of bread to feed stricken residents. Many needed to be airlifted from rooftops and isolated pockets of dry land as the water receded. Much of the city, port and beach areas were filled with a heavy mud and debris, resulting in a ‘on hands on deck’ response from army and locals alike to clean up. On October 24, dictator Francisco Franco arrived (when much was cleaned already, of course) to survey the damage and have his loyal (oppressed, whatever) subjects cheer for him for coming to the disaster zone. As people lived on bread brought north from Gandia and milk given out by the ladle-load, the long process of rebuilding began. The mud was not completely cleaned away until the end of November.

In June 1958, the outlying port and beach areas suffered a second minor flood, as their drains were still clogged with mud, and the following month ‘Plan Sur’ began, a project to divert the river. The plan had initially been designed over a decade earlier but sidelined due to excessiveness (which is ironic considering the ‘excessiveness’ of everything the Valencian government spends money on). A plan to build an enormous green space in the city was put up against building a huge highway to get people from Madrid to the beach a fraction faster. In 1965 construction began to divert the river south of the city, resulting in water flowing around the city for the first time in 1972. At the same time, land cleared by the flood on the other side of the river from the old town was used to create many new buildings, mostly apartments, giving Valencia a construction boom (that’s a whole other tale). The flood had accidentally given Valencia a whole new chapter in its story, already thousands of years old. (I have never seen any water in the river diversion, other than the tiny part where the sea flows into the river mouth. If you have a photo of the Plan Sur river diversion (any year) with water in it, I would love to see it).

Here is a short clip (in Spanish) made as they designed Plan Sur in the 60’s, with some aerial shots of Valencia if you’re so inclined.

In 1976, on his first visit to Valencia as head of State, King Juan Carlos I gifted the dry riverbed to the city, and the highway plan was shelved forever; the seven kilometre park won its place in Valencia’s history. Construction on the final part of the Turia riverbed park continues today, with most of the park now complete. The ‘top’ of the park has Valencia’s zoo, the Bioparc, and footpaths and bike lanes weave though gardens, streams, sports fields, playgrounds to the other end, home to Valencia’s massive Arts and Sciences complex. The final part, where the old riverbed meets the sea is all-but completed.

While Valencia is an amazing city, the park is the jewel in the crown.

This is a tourism video was taken a few years ago, but shows Valencia from the air, over the park and areas rebuilt after the flood, plus many of the great sights you can read about in my books.

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All photos in 1957 are courtesy of Juan Antonio Soler Aces.

PART 3: ‘Luminous Colours of Dusk’ Author Q+A

When I put out the call for questions ahead of my Luminous Colours of Dusk book release, inevitably there would be questions about Spain and my books based there. So, here is a Q&A section dedicated to my Secrets of Spain series.

Why write about books based in Spain?

That is a good question. I’m a New Zealander, a baby country with a small but interesting history. To write the story of my family coming out to this pioneering nation from Scotland and Ireland would make a great tale. But when I moved to Spain, the place spoke to me, as it has spoken to so many foreigners over time. I feel a personal connection to the struggles of the country, and the history and politics speaks to me better than my home country. (Though, since it’s election time in New Zealand, I’m pretty outspoken at the moment). You can find a 1001 books based in Madrid, Barcelona, or anywhere in southern Spain, but Valencia sits outside the spotlight. You only have to visit the city to understand how unique it is, and to me, the perfect setting to write books. The history of the place gives so many exciting possibilities.

Why write about the Spanish civil war?

There is no war like the Spanish civil war. There was no one side versus another, rather factions coming together, struggling against the enemy and one another. Nothing is as vicious as a civil war, yet other nations weighed in, while some stayed on the sidelines with their own agendas. Volunteers came to fight and changed the course of the war. While one side defeated the other, and evil won the war, some believe the outcome was a good one. There were no winners in Spain, and the wounds are not fully healed. The multiple facets are what drives my interest.

Out of your Spanish books, who is your favorite character?

Tough question! Luna Montgomery was the first character I ever created, but she has a great supporting cast in Blood in the Valencian Soil and Vengeance in the Valencian Water. I have always enjoyed writing Paco Beltrán, patriarch of the Beltrán Morales bullfighting family. He played a good role in both books, and has a big space in the third book, Death in the Valencian Dust. As evil as he was, I enjoyed also writing José Morales. His transformation from conflicted young officer to evil Francoist was a joy to undertake. I know a lot of people found him hard to stomach, but some really liked him. Scarlett Montgomery was a great character for me, as she was based on a real life New Zealand nurse who defied her country and went to the civil war.

How much research do you do for your Spain-based books?

I lost count of the hours spent researching years ago. I never stop researching – everyday conversations with Spain lovers help me. Even tiny comments can come in handy for minor details. I can often sit down and need a basic piece of info for a chapter and spend all day reading, long forgetting the original point I needed. One day I sat down at my desk at just after 9am, needed a detail on where a bus stop was in 1957, and then my alarm rang to stop writing at 2.45. Somehow, the whole day had disappeared. I never know where I will find helpful information. Between all the books and websites I use, I can be buried in info, much like my desk is. I can’t actually see my desk under all the stuff I have piled up ahead of my next book on Valencia.

I am lucky to be part of #wabas – Writers and Bloggers about Spain. The members are kind enough to let me be part of their group and I can absorb all kinds of information from them, so thanks!

What will the next Luna Montgomery book be about?

(I’ll try to keep this as spoiler-free as possible for readers still on books one and two)

Death in the Valencian Dust is another double timeline story, split between 1975 and 2014. At the end of the second book, Cayetano Beltrán asks his uncle Jaime about the time he went to prison in Valencia in 1975. It is centred around the time when Franco dies and King Juan Carlos takes over, and the upheaval Jaime goes through thanks to some dodgy dealings in Valencia. The 2014 timeline sees Cayetano at age 45, facing retirement from bullfighting, while Luna’s life is going in a very different direction. Cayetano is struggling with Luna’s rising career and ambitions while the sun sets on all he has ever known. The Beltrán Morales family has undergone a major upheaval since we saw them in 2010 (cant tell yet!), and in the shadow of King Juan Carlos retiring, they reflect on their family and the loss of all the traditional Spanish ideals they have previously enjoyed.

Have you ever had the desire for Luna Montgomery and Darren James to become a couple?

Pro-cyclist Darren James will be in the third book very prominently, and still rubbing Cayetano Beltrán up the wrong way. The men will find common ground with the changes in their lives and careers, but they are an uneasy alliance with Luna endlessly caught in the middle. Have I had the desire to have Luna and Darren as a couple? Yeah, I have thought about it. There is a lot of logic in a pairing like them. The third book isn’t out yet…

How do you feel about reviews of the series? Do you seek out reviews?

I’m not really comfortable with asking for book reviews. I am pretty happy with the reviews I have received, and get nice little messages via twitter regularly from people who are reading. I write a niche subject so it is easy to get lost in the crush of millions of books to read. I am meticulous with my planning of the series, and that satisfies me personally.

Of all the people you have killed in the series, which was the hardest?

SPOILER ALERT – you may want to skip this bit if you are not finished the books

I have always felt bad about killing Alejandro Beltrán. To me, it was an awful way to die and I feel sorry for writing it. Cayetano Ortega was a tough character to kill as well. In fact, everyone from the first book in the 1939 timeline met a sad end.

Do you have a book planned, away from the Secrets of Spain series?

I do, my long suffering novel based in Spanish civil war slowly continues to grow in size. The book starts in Barcelona 1937 and progresses throughout much of the war, based mostly among the fighting of Madrid, Barcelona and Teruel (and surrounding areas). That will be released after Death in the Valencian Dust, with all new characters from me. The characters are fictional, based on real accounts, and set to the real timeline and outcomes of the war itself.

Do you use social media much for book promotion?

It was be impossible to work without social media, though I have placed a ban on using it on my computer, or I never get any work done. I have broken my bad social media habits. In saying that, you can always catch up with me. Twitter is my preferred medium, much more than Facebook. You can find me –

Website: here obviously carolineangusbaker.com

Facebook: Caroline Angus Baker (subscribe, since I make many public posts)

Twitter: Writer_Caroline

Pinterest: WriterCaroline

Tumblr: Duende Lover

Google+ : Caroline Angus Baker

Book Links:

US – Caroline Angus Baker

UK  – Caroline Angus Baker

New Zealand (paperback only) Caroline Angus Baker 

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Part 4 is all the questions about writing, and Part 5 is the first chapter of Luminous Colours of Dusk. Also, there will be a free promotion on Night Wants to Forget and Violent Daylight. Details will in Part 4.

Click here for Part 1 – all about Canna Medici – PART 1: ‘Luminous Colours of Dusk’ Author Q+A

Click here for Part 2 – all about me – PART 2: ‘Luminous Colours of Dusk’ Author Q+A

PART 2: Vengeance in the Valencian Water Q+A

To read part one, click here – PART 1: VENGEANCE IN THE VALENCIAN WATER Q+A

Here we go, part two of the Q+A, time for some of the more specific questions –

6 ) Did you base the characters on real-life people, like with Blood in the Valencian Soil? 

Rather than look at the situations of specific individuals and make a fictional tale based on their lives, this book takes a different vein. This book follows real events (like BITVS) but has all fictional characters. This book is a snapshot of Valencia in 1957 and the characters live in what was reality at the time. I spent countless hours studying photographs and recollections of the city and its way of life at the time. I also studied the 1957 flood over the period of about a year, so I knew all the details I needed. I got to point where I knew the water level of individual streets around the city. I also walked those streets in Valencia, to visualise the scenarios for myself. All of the characters are entirely fictional, and would not want to meet these people in person!

As for the 2010 characters, they are all also fictional, but live in Spain as it was that year. One chapter sees Luna caught up in a protests in Madrid, and I made sure there was a protest in Puerta del Sol in that month, and checked what they protested against and what their signs said. The timeline is accurate, but no one is based on a real person.

Graham Hunt was kind enough to capture this, so it had to go in the book

7 ) What did you research for the book? You talk about research a lot of twitter.

Jaja, my twitter rambling coming back to bite me. Following on my from the last question – I researched a lot. For me, when I sit down to write, I need to be able to envisage the whole scene in my mind before a word can be written. When it’s based in Valencia, imagining somewhere is a piece of cake. But still, I need to know the details are in place before I can start. For example, when writing José in 1957, I needed to know what his Guardia Civil uniform looked like, or what the fashion of the time looked like in Valencia. That meant tracking down photographs in 1957. There is one scene were José has to wear what I imagine as the most ugly brown suit ever, but then in another, the smoothest grey suit you can imagine. I know both of these were on sale because I checked. I don’t spend a great deal of time on clothing unless it’s relevant to the scene, so you don’t feel bombarded with inane tidbits. But when they buy 1957 swimsuits, I checked to see what you could get at Malvarrosa at the time. Beach umbrellas are the right colour, restaurant decor is correct, street names are correct, even the flowers bought at the market are the right type. When Franco arrives, his car is the right kind, the positions are correct, the aides are dressed properly. When it comes to bullfighting, the clothes are correct, the details of a fight are correct, the feeling from the crowd is correct ( I know this because I sat there to get it right). Valencia is the perfect place to use as a location because there is just so much to see, and how much the city has changed is incredible. I have studied the detail of the city from the mid-1800’s until now and the changes are amazing, yet the core, the heart of the city remains the same.

Calle Miguelete at Plaza de la Virgen, both Jose’s 1957 and Luna’s 2010 reality 

8) Are there any storyline pieces you are worried about? Does reaction to the book worry you?

Does it worry me? Only all the time. Writing a book is like walking around naked, you are fully exposed to embarrassment and ridicule. I feel like a running joke – an author with an anxiety disorder. I dream about being teased about typos. After writing a  chapter, I put on a cynical hat and question its believability. With the Luna Montgomery series, I want things to be as realistic as possible. Fortunately, by following real-life scenarios, the possibility of the storyline being over-the-top is nigh impossible. With the flood, it’s all real, as is the babies stolen by the church. None of that needed to be made up. The 2010 storyline gave me more worries. The medical details were something I was careful with – there’s nothing worse than reading/watching something and a character is sick and makes an instant miracle recovery. Anyone who suffered or nursed someone with a serious illness or injury will see right through it. I had to check the detail very carefully. I fight constantly with Luna and Cayetano, to make sure they are believable and full of flaws. Perfection doesn’t exist and neither of them can appear to have the upper hand over the other. They both make mistakes, they both say stupid things, like any couple. I worried, about halfway through, that Luna was being too needy, and then wasn’t being strong enough. At the end, I did worry if all the feminists out there will be disappointed with her life choices, but to me, she does all she needs to do for all around her. She doesn’t have the luxury of making decisions to suit herself. I also worry if Cayetano comes off as arrogant or selfish at times, but have tried to suitably redeem him. You aren’t supposed to like every character all the time anyway.

9 )Why give Luna two children? What’s the point?

There is plenty of point. From the very beginning, I imagined Luna with two sons. Luna is the very first character I ever created, back in 2009 when I was still finding my feet. (You can’t accuse me of not taking my time with the characters. I took 18 months off these characters to work on Canna Medici while I got this series together.) Luna meets Cayetano and their lives are a mess. They meet to uncover murdered relatives, so it’s not a love story. From the very beginning, Cayetano always had María, his wife. That in itself is a nightmare, but to have Luna as a single woman would be too easy, and make her too perfect. I made her a parent because it suits her, she’s the type to cope well with sons. I had to also make her a widow, because that was the only way to make her solo mother, no other scenario worked on Luna and Fabrizio as a couple. I’ve been the child of a solo mother, and know just how amazing they are. To have a male and female lead character makes it easy for them to fall into a relationship, or at least an affair, and by making Luna a widowed solo mother, and Cayetano already married, it gave me far more scope to develop the characters and their interactions. They come from totally different perspectives, and not just because their families sit on opposite sides of the political and religious divide. They cannot understand each other’s situations because they are so bogged down in their own realities. Just when the path seems smooth for a quiet life, I have something to throw in the mix. This isn’t a romance novel (but if you like romance, I have one in the pipeline to come out after my next civil war book, so bear with me!)

10 ) Which of the two books (Blood in the Valencian Soil and Vengeance in the Valencian Water) have you enjoyed writing the most….and why?

That is a really hard choice. BITVS was my baby, I nursed her for quite some before I got the book I wanted. It is centred in the civil war, something that gives me enough inspiration to write 100 books. It is set around a murdered grandfather, something very close to home for me. The issue of relative killed in the civil war and hidden away also hits close to home for me. The story of a kiwi nurse in Spain is something I took the time to understand, follow and genuinely care about. It was great to meet the family of Renee Shadbolt, the real Scarlett Montgomery, and how proud they were of her. Real people in real scenarios flourishing and despairing was what I wanted to create. I will always love BITVS.

one place – three periods in the series

VITVW is totally different. Writing one book and making it my baby seems easy compared to following it up with a suitable sequel. I wanted to continue the series, but at the same time, make a story that can stand on its own. It needed to pack all the punch of the first book, without going over old detail. I can’t remember when I decided to write a Valencia flood novel, but I don’t think it’s been done before (feel free to correct me). It would have been easy to have Luna and Cayetano go back through another civil war story and it probably would have worked, too. But going back to the 1950’s instead of the 1930’s gave the series new life. The third book goes to the 1970’s, so the state of Spain under Franco through the years can be seen in long form. From war in the 30’s, to the heavy-handed rule of the 50’s, to the unstable 70’s, the story of the Beltrán and Morales families can tell a huge story. The present day storyline also gives that chance. BITVS is set in 2009, VITVW in 2010 and then Death in the Valencian Dust in 2013, and Spain changes in this tiny time frame, giving me plenty to work with. As long as Rajoy is in power, enough things will be screwed up, providing plenty of ideas.

I would have to say BITVS is my favourite to write because it was the first in this big project, but VITVW gave me huge satisfaction too, as I feel I have done a really good job with it. I wouldn’t change a thing, and feel my writing style is much better now.

Click here to read the Part 1 with the free book offer Q+A. Part 3 will have all remaining questions, Part 4 is Valencia in photos, and Part 5 is the first chapter, available January 24, the same day as the book release.

Thanks to Graham Hunt for the video, and Juan Antonio Soler Aces for the historical Valencia photos

Part 1: Vengeance in the Valencian Water Q+A (plus a FREE book)

Valencia, Spain: October 1957 – After a long hot summer, Guardia Civil officers José Morales Ruiz and Fermín Belasco Ibarra have had enough of their lives. Sick of dealing with lowlifes and those left powerless under Franco’s ruthless dictatorship, the friends devise a  complex system of stealing babies, to be sent away to paying families. But as the October rains fall, the dry Valencian streets fill with muddy water, and only greed and self-preservation will survive…

It’s 2010, and Luna Montgomery is busier than ever. With the mystery of her murdered grandfather solved, she reluctantly prepares to be the bride in Spain’s ‘wedding of the year’. But four more bodies lie hidden at Escondrijo, Luna’s farm in the Valencian mountains. Her fiancé, bullfighter Cayetano Beltrán Morales, is not eager to have his name brought up in a post-civil war burial excavation. When Cayetano’s grandfather José, an evil Franco supporter, starts to push his ideals on Luna, her decision to join the Beltrán family comes under scrutiny.

The Tour de France is fast approaching, and Luna’s position as a bike mechanic on Valencia’s new cycling team begins to come under pressure. When an ‘accident’ occurs at Escondrijo, lives hang in the balance as more of Spain’s ghosts come to life and tell the story of a flood in 1957…

It’s that time again. With time ticking away until Vengeance in the Valencian Water is released on January 24, it’s time I got onto answering some of your questions! I have merged some questions together, to answer as many as possible, but will post in a few parts. Let’s jump right in.

book covers

1 ) What is Vengeance in the Valencian Water all about?

VITVW is the second in the Luna Montgomery ‘Secrets of Spain’ series, which continues right where Blood in the Valencian Soil left off. VITVW follows the same vein – two different time periods, with their own themes that are bound together by similar circumstances. VITVW is centred in Valencia 1957, with a Guardia Civil officer, José Morales and his battle against the struggles of Franco Spain. Common in this time period was the horrendous baby-stealing practices in hospitals, where the church would steal babies from mothers at birth and sell them, with the law on their side. José gets caught up in this vicious circle, only to find his real adversary is the Valencia flood of October 14 the same year. The story runs alongside the 2010 storyline of Cayetano Beltrán, José’s grandson, and his life with Luna Montgomery, which is under pressure. With the financial crisis weighing down Cayetano’s career as a bullfighter and the impending bankruptcy of his grandfather’s huge business, life is increasingly difficult. Luna is still struggling after the recession claimed her job in the first novel, and just as she finds some stability, her late husband’s alleged drug cheating as a professional cyclist rears its head. The long-awaited trial of a Spanish doctor caught doping Tour de France riders leaves Luna to face a legacy she never wanted to be part of. Luna continues pushing to dig up unidentified Spanish civil war bodies, the common clash in Luna and Cayetano’s relationship in BITVS. All the themes in both 1957 and 2010 interlink as ‘coincidence versus fate’ is again explored.

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Pretending to be researching in Segovia

2 ) How long did it take to write Vengeance in the Valencian Water?

I started writing in February ’13, with the intention of having the bulk of the storyline completed before my research trip in May. That failed dismally but while in Spain, I learned so many things. Once back from Spain I was busy with Violent Daylight‘s August release and the story went on hold. I didn’t get back to VITVW until October and finished at the end of November. The book dragged out longer than ever planned, and many ‘real-life’ things got in the way. I had the background for the book, with the research on the Valencian flood, the baby black market and the drugs in cycling done a year in advance, so when it came time to flesh out the book, there was no delay. Going to Spain to learn more about bullfighting and the reality of the recession in Spain really helped with the final touches. Because this book had swirled in my mind for so long, the writing was the final piece of the puzzle, rather than just writing and seeing where the book led, as I have done in the past.

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wonderful photo by @v_puerto

3 ) How can you justify being a fan of bullfighting? Bullfighting is grotesque, so why do you condone animal cruelty? 

I have heard it all. I have three things that attract internet trolls – bullfighting, supporting cycling (in NZ) and being a feminist. Bullfighting tends to bring out the animal in people themselves. I have been told I am vile, I am cruel, I don’t deserve to be a parent, I am disgusting, my family deserves to be hurt… the list goes on. Are all these people interesting in the way their meat was raised and processed? Bulls raised on ganaderías and sent to bull fights are treated like kings. Quality healthcare, exercise regimes, carefully controlled diets… none of those things are taken into consideration for the chicken or pork in your fridge. Yes, bulls are taunted and exhausted in the ring, surrounded by the real beast of bullfighting – the crowd – who hungers for the animal to die. Is that degrading? Yes – that is without question. Do I feel sorry for the bulls while they stand disoriented and weakened as they get stabbed to death? Absolutely! The combination of watching the animal die, combined with sitting beside people who love to watch the event is not a nice feeling at all. Am I trying to promote bullfighting? I’m not sure if that is even possible – people can make up their minds about the corrida long before they get there. Many argue on the side of tradition, and I can identify with that. Bullfighting is more than killing an animal. The toreros are fascinating men and their dance with death is something I could write about forever. They are brave, proud and skilled. They have a talent that is frowned upon in the modern age, and stand in the ring to cheat death of its right to claim them, and are both reviled and revered every time they do so. (Numbers of men wanting to be toreros is up, not down as expected). I have great respect for these men, but I have no desire to promote cruelty to animals. I don’t plan on opening minds to both sides of the argument – many minds cannot be opened. The bull is the orchestra, the torero is the conductor. The crowd chants for a kill. I don’t write to glamourise the event – in fact, if you read, you’ll find the books regularly grapple with the subject, and show there is more to a torero than his sword.

4 ) Do you need to read Blood in the Valencian Soil before you read Vengeance in the Valencian Water?

A tricky one. Yes and no. Book one tells the story of a lonely bullfighter and a grieving bike mechanic teaming up to unearth a civil war grave, running parallel to the 1939 storyline of their grandparents trying to flee Valencia at the end of the civil war. The story tells of how Luna and Cayetano meet and how unorthodox they are as a team. However, book two tells the story of them battling through the trials of 2010 Spain, alongside unearthing an all-new grave. The story does stand alone, and the book should give you enough of background that you don’t feel like you’ve been denied any detail. But they are designed to run together, with VITVW starting off just a month after BITVS ended.

5 ) Why have alternate storylines? Isn’t that complicated?

I’ve never had anyone tell me that alternate storylines is complicated. I personally feel that VITVW is even easier to follow than BITVS with the different time periods. The series tells the story of Spanish families throughout the civil war and Franco time period. BITVS is a snapshot of life in 1939, VITVW tells of 1957 Valencian life, and the third book (out 2015) tells the story of 1976 Spain, as the country comes to terms with Franco’s recent death. These times are pitted alongside modern Spain and the very real struggles that the nation is facing. Given the laws that the current Spanish government passes, there is no need to imagine fantastical fiction; reality continues to inspire in depressing ways.

Portal de la Valldigna ’57/’13 – Different and yet the same (photo courtesy of Juan Antonio Soler Aces)

I will be back with part two of the book Q+A in a few days, so if your question hasn’t been answered, have no fear! In the meantime –

For 48 hours only – Blood in the Valencian Soil is free on Kindle/Kindle App. Catch up for free before Vengeance in the Valencian Water is released!

(promotion runs from midnight January 9 until midnight January 11 PST)

A LITTLE JAUNT TO SPAIN – REVIEW PART 2: The top ten things I rediscovered about Valencia

VALENCIA

If any city deserved to be announced in capitals, it’s Valencia. I lived in Valencia for roughly three years and I had a whirlwind of a time. I moved away in 2007, on the premise that I would return in three months. However, court cases, immigration and several cases of terminal cancer got in the way and my life once again took shape in New Zealand. Valencia has remained the place I love the most, and I joked that I left my heart there when I moved, so I would need to return. After a long absence, it was time to put that to the test.

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Time to get my Valencia on

I arrived in Valencia by train. The trip from Barcelona felt days long. Despite a successful trip to the Catalonian capital, I wasn’t in a great mood. The three-hour trip was punctuated with stops in forgettable locations, and the rigours of the night before threatened my resolve to stay positive. I arrived my apartment on Calle San Vicente Martir, and met a lovely woman named Inés, whose English was much appreciated, I felt keen to be on holiday again.

When I joked and said I left my heart in Valencia, perhaps I wasn’t joking. I dumped my bags and set off along the streets of the city’s old town, and realised that I absolutely belong in this city. That began six nights and days of enjoying as much Valencia as possible. Who needs sleep? Not me, a few hours after I arrived in V-Town, I found myself in a club deep in the El Carmen district, lost and loving it.

Rather than bore you with a diary of my events, here are the top ten things I rediscovered about Valencia. I knew all of these things, but they stood out to me again on this trip.

In no particular order, and without photos of the same spots as every other site –

1 – PDA’s (Public Displays of Affection) are everywhere

When I started writing the modern day storyline of Blood in the Valencian Soil (BITVS), I set out to write in little details of life in Valencia city. Now, I have seen this in many Spanish cities and towns, but in Valencia it seems to stand out to me. Everywhere, but particularly in the Turia park, they are people kissing. Not just kissing, attempting to suck each other’s faces off. To their credit, the Spanish don’t look like two virgins at their church wedding when they kiss, they have largely sorted the art of good kissing. I have a love/hate relationship with this level of public affection. I love the fact that people feel free enough to sit around kissing (very unlike where I live), and I hate it because I’m not the one doing the kissing! I remember on a number of occasions, when living in Valencia, when asked what I would like to do on an evening out, I replied, “Let’s go and make out in the park. That’s what all the kids are doing these days”. If you have a companion while in Valencia, or happen upon one, I recommend kissing in the park. The other week, I saw a couple farewelling one another. I was lying in the grass, listening to some Pablo Alborán, when I heard a bang nearby. This couple, in their lust for one another, had both dropped their bikes in a heap while he swept her into his arms for a very long smooch. I screwed my face up – with jealousy. I think kissing is highly underrated, but Valencia’s Turia celebrates this somewhat lost art.

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Anyone fancy a kiss near my favourite part of the park?

2 – It’s so easy to get around the city

Pull out your map of Valencia. You feel mind-blown by the amount of things to do. There’s the old town, the El Carmen, Ruzafa, the Turia (which has the Bioparc zoo and the Arts and Sciences at opposite ends of each other!), and you can’t miss a chance to go to Malvarrosa. Sure, if you want to explore Plaza de la Virgen and Plaza de la Reina, they are nearby each other, but you may feel like you are going to have to miss out the further flung attractions.

Oh, no you don’t! The beauty of Valencia is that everything is within walking distance, and you don’t have to enjoy marathons to sight-see on foot. Even if you don’t want to walk, there is the excellent bus and Metro services. Valencia is beautifully packed. Want to try the markets ofMercado Central, Mercado Colón and Mercado Ruzafa in the same day? Of course you can! Want to eat paella at the beach, but also visit the Arts and Sciences complex? Do both! Want to wander all the historical sights of the old town? You can do all of that in a day, and enjoy plenty of meals, beverages and ambiance. It’s nigh impossible to get lost in Valencia, despite it’s narrow intricate streets of the inner area. If all else fails, you will eventually pop out on what got nicknamed ‘the ring road’, the road that winds along the edge of the park, and around Carrer Guillem de Castro/Xativa/Colón. This circle of roads encompasses the oldest part of the city, and what could be considered the most complicated area to navigate, but also home to the largest concentration of sights. No matter where you get lost, you’ll pop out on the main road and can dive back in somewhere for more fun. In six days, I did every sight in the whole city, plus day trips outside the city, and multiple afternoons of mucking around relaxing. You will never want to leave Valencia, but if you are time-poor, you can still be attraction-rich.

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There is a lot to see, so get out there!

3 – Valencia has its very own vibe

“It’s the vibe of the thing”. Classic line from an excellent Australian film. It’s relevant here in Valencia. The city definitely has its own vibe. Valencia is like Spain’s youngest child. Madrid has the feeling of being the oldest child – there is a reserved obligation, a feeling of needing to be in charge, needing to set an example. Barcelona is the middle-child, too flamboyant to be forgotten, but feels the need to show off for attention. Valencia is the baby of the family, and while the other cities came of age, Valencia was still running between the adults in search of fun. Now, Valencia doesn’t need guidance, or to try to measure up to its counterparts. It may be Spain’s third largest city, but there is no conformity in its way of life. Valencia is alive with its own traditions, language, food and attitude. Valencia feels like its inhabitants are on regular alert for a good time. The city, like the nation, may be in times of hardship, however, the joy of life remains.

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You would never know an anti-austerity protest in directly beneath me, would you?

4 – You don’t need to know Valencia’s history – you’re living in it

When Valencia sighs, it doesn’t just let out the stress of the day. It heaves with the weight of all that has gone on. This is a great thing! Granted, most who visit the city don’t know the great detail of this spirited city. For a history nerd like me, I jump up and down with excitement. The interesting thing about Spain is (and I spent many an evening talking about this over drinks) that the country is how it is for a number of reasons. The people are the way they are for specific reasons. This all relates to Spain recent (ie. 20th century) past. Spain is a deeply complex country, and history’s events have plunged in a knife into each city and town differently. For example, the horrors many cities suffered in the civil war are very different. Valencia was never at the front line of the war (aerial bombings aside), but when the city fell at the end of the war, the last point to be captured by Franco’s rebel troops, it fell hard. (BITVS can give you a easy-to-digest concept of this if you are interested. My fiction doesn’t get to stuck on little details, so as not to weigh down the narrative. Good if you don’t want to be a history buff) Also, for me, the disastrous story of Valencia’s 1957 flood still has hints around the city. While researching the subject for my next novel, the locations in the book are largely the same as they are today. I can walk around corners, my hand on the stone buildings, and be able to visualise the flood water level, which is marked in some locations. Valencia has a soul, and if you wander off the cruise-ship tourist trail, you can hear it speak.

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The Portal de Valldigna, the old entrance to the Arab quarter of the city in 1400. My next novel, Vengeance in the Valencian Water, has a scene here. Standing there with the place to myself, gave me a chance to finalise details for a gruesome scene.

5 – The city knows who it is, but the future is still wide open

In my eagerness to celebrate San Isidro in Madrid, I forgot to check the fiesta timetable for Valencia. What do you know? Second Sunday of May is the procession Virgen de los Desamparados. The Virgin of the helpless/forsaken, who is much-loved in V-Town, is pulled out of the Basilica, where she lives, and carried to the city’s cathedral. It’s around 200 metres. Piece of cake. Not. The original statue dates from around the 15th century, so she stays at home, and a replica is paraded through the thousands of people who want to see her. Touching the statue is a big deal, you get a year of grace if you touch her. People hurl their babies at this thing, who cry in panic. I stood in attendance and watched with amusement as people cheered “Long live the mother of God” (Correct me if I’m wrong there).  Was this the end? Lord no. The night before had been full of processions and prayer, and the rest of the day followed suit. Valencia has many such days in its calendar, and they are regularly attended, despite being hundreds of years old, and surely enlightenment has opened people’s minds to the world. No matter, from rugby-throwing your baby at a replica statue, to burning down the city at Fallas, and everything else the year holds, Valencia loves its traditions.

In saying that, Valencia, like its Spanish counterparts elsewhere, has suffered upheaval. Apart from anti-austerity, Valencia’s current main beef with the scum-filled right-wing government is the cuts to education. Indeed, what becomes of the generation of children in school right now? Those a decade older than them are suffering at the beginning of their lives. Everyone is hurting. Valencia has a difficult future ahead. I realise this is irrelevant information for your average tourist, but not to me.

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Valencia’s ghastly mayor, Rita Barberá, throws petals at the Virgen while people toss forth their kids. It’s all smiles on the balcony for the rich, not so much for people on the ground

6 – It’s all about the people

Yes – Valencia has it all – the abundant good weather, the first-class food, the luxury of the Turia, history, language, shopping, sexy policemen in tight pants (note – may be limited to the guy I saw in Plaza de la Reina), but the people make the city. I feel this way about any place. Something can be beautiful, but if the people are assholes, the trip is ruined. There are a few assholes in V-Town, like anywhere, but for me, the moments where I met with people in the city, old friends and new, they were the best parts of the trip. Who would have thought I would have watched a group of ex-pats try to lay out a portable cricket pitch in the baseball diamond in the Turia? It’s the more out-of-the-way things that make a trip for me. You can only take so much sightseeing and tapas. People make the difference.

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Graham Hunt and myself pose for a shameless selfie to post on the WABAS FB page. Nicest guy in Valencia, no question. 

7 – It’s possible to be a local and a tourist at the same time

How? I will tell you. Shoes. You can tell a tourist by their shoes. They are wearing comfortable walking shoes. Please, go and buy something pretty and inappropriate, and you will blend in.

I’m kidding. The number of tourists has remarkably increased since I last visited Valencia. It’s a double-edged sword; the city needs to survive and cruise-ships pouring in mostly middle-aged punters, or hordes of Japanese tourists boosts the economy. They follow marked routes through Valencia’s main points, and in theory, spend their money. This is new to me, and I wondered what the city will look like in another five years. Perhaps like Barcelona, who seems to have sold itself to tourism? I hope not. The risk is there in Valencia right now. You can follow the main sights of the city, and they should be seen. They are popular for a reason.

However, wander a few streets away and you can feel the buzz of Valencia life again. Tourism hasn’t swallowed up Valencia’s spirit. You can sit and eat like a local, talk like a local (or at least try) and get a feel for the place. Cast off the oversized lens, the guidebook and the comfortable shoes, and get to know the place. You will be glad you did. My happiest moments were found in total solitude, just living life, and not sightseeing in Valencia.

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Valencia bullring. As a woman aged 32, with no male companion, it was impossible to blend in. I needed to be male, over 60 and smoke a stinking great cigar to fit in. The guy next to me kept calling me Nueva Zelanda and every time a bull got stabbed/killed, he would remark “Nueva Zelanda sigue siendo tranquila. New Zealand remains calm.” He seemed rather surprised. Dude, I know my shit.

8 – You don’t suffer cathedral fatigue

Cathedral fatigue – I suffer it. I have long lost count of the number of Spanish cathedrals/churches/basilicas I have visited. I am not religious, so the places don’t hold significance (though the one I entered with Nick Lloyd in Barcelona was amazing – another post). I have seen some big churches – Valencia, Madrid, Barcelona, Segovia, Cuenca, Toledo, Seville, Granada, Cordoba, Xativa, Avila, Burgos to name a few locations. Valencia Cathedral is still the best of them all. Not for anything in particular, though it houses THE Holy Grail and the views from the bell tower are eye-watering. I guess it’s just the Valencia vibe that makes it special. Between the cathedral and the Basilica (home to the above Virgin statue), you will be left feeling like you’ve seen a great sight, not trudged through another church that reeks of the church’s former power over the population.

There are plenty of old-world attractions that aren’t churches, like the La Lonja, the Torres de Serranos and Torres de Quart, the streets of the El Carmen area, the town hall and the post office in Plaza Ayuntamiento, and the train station and bullring. Valencia has unique sights to see.

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Museo de Bellas Artes de Valencia, the Valencia Art Museum just over the Pont de la Trinitat, is a great spot to visit, and gorgeous. Go for the art, but stay for the beauty.

9 – Something new is always available to try

Whether it’s a tall glass of Horchata, a taller glass of Agua de Valencia, or a pincho (whose ingredients you can’t quite decipher, but it tastes good, so roll with it), the menus in Valencia will always have something for a new visitor, or someone who has been to the city before. Warning, they are plenty of bad paellas around, as with anything, but there are many fine ones as well. There is no need to find some upmarket place, because you need to make your way to many places in order to decide for yourself what is best.

I have been pretty much everywhere in Valencia (I have a propensity to wander), however fun sights can crop up anywhere. The streets of Valencia still have sights to behold, whether you are new to them or not. When in Valencia, whether it’s food, sights or ambiance, you can make your own fun. There isn’t a set list in order to find enjoyment. The city allows freedom to enjoy Spain.

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The rabbit catches the chicken… now get in that paella. I’ve seen photos of this particular random street art, but never in the flesh. I found it by accident. Just one of the fun things about wandering Valencia

10 – It’s a great place to stage a novel trilogy about Spain’s past

Valencia is a terrific backdrop for novels about Spain. I’m certainly not the first to use the city as the central location, but you will find far more books based in bigger cities, or in the south of the country. In terms of novels, Valencia is like an untapped resource. I get many readers who know absolutely nothing about the city, but that’s okay, it’s an easy city to bring to life. It has enough unique features to quickly distinguish it from other locations.

Everything I have written already seems accurate with what I saw on my trip, and all the locations used in the next novel look/feel as I have already conjured up. Just as the city felt desperate in BITVS, it can lend itself being a place of fear in 1957 with a mixture of natural disasters and human greed.

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Placa de L’Angel 1 is a location in both 1939 and 2009 in BITVS. I was pleased walk down the little plaza to find they are trying to save this building!

Did I learn anything new in Valencia?

Absolutely. I moved to Valencia with a one-year-old and a newborn. They have fire-red hair, and never could blend in as a local. I learned the city as a mother, as a family. The city is great for families, so much so that I had two more children. However, this trip was solo, and I saw the city differently. I could go out for longer, stay out later, climb more stairs, take more time to read, reflect and absorb. The city is great for the single traveler, but I will always want to enjoy it as a family. The choice is yours.

Up next… Part 3 – The civil war history of Barcelona with Nick Lloyd

Click here for the other parts of this series – Spain 2013 in Review