SPAIN BOOK REVIEW NOVEMBER: ‘Everything is Happening: Journey into a Painting’ by Michael Jacobs

Michael Jacobs

Michael Jacobs was haunted by Velazquez’s enigmatic masterpiece Las Meninas from first encountering it in the Prado as a teenager. In Everything is Happening Jacobs searches for the ultimate significance of the painting by following the trails of associations from each individual character in the picture, as well as his own memories of and relationship to this extraordinary work. From Jacobs’ first trip to Spain, to the complex politics of Golden Age Madrid, to his meeting with the man who saved Las Meninas during the Spanish Civil war, via Jacobs’ experiences of the sunless world of the art history academy, Jacobs’ dissolves the barriers between the past and the present, the real and the illusory. Cut short by Jacobs’ death in 2014, and completed with an introduction and coda of great sensitivity and insight by his friend and fellow lover of art, the journalist Ed Vulliamy, this visionary, meditative and often very funny book is a passionate, personal manifesto for the liberation of how we look at painting.

Cover art and blurb via amazon

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Who doesn’t love a mystery? Especially one where the true answer may never be discovered. Author Michael Jacobs died in January 2014 from cancer at the age of 61. Jacobs was the type of Hispanist we all aspire to become. Everything Is Happening was not finished when he passed away and his friend Ed Vulliamy finished this book on his behalf.

Everything Is Happening is about the work of the great Diego Velázquez titled Las Meninas (Ladies in Waiting), painted 1656. The painting (see below if you are new) is what was supposed to be the artist painting the King and Queen, and instead they are only reflected in a mirror as the princess and her entourage are seen instead, along with the artist himself. The painting, widely recognised as one of the most analysed of all time with its unique perspectives, was to the author, the greatest piece of art ever painted.

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Diego Velázquez, 1656. Oil on canvas 318cm x 276cm

Jacobs first travelled from England to Spain 1968 and saw Las Meninas in Madrid first hand. In the dark days of Spain in the late sixties, Goya was one of the collections most often visited, yet Velázquez stole Jacobs’ heart. Nearly fifty years later, it is Las Meninas which has a long queue before it (trust me, I’ve been there twice. To be fair, Goya’s is still massive too). 

The painting is set in the artist’s studio in the Alcázar Palace in Madrid, to be a portrait of King Philip IV and his wife, Mariana of Austria. The painting instead shows young Infanta (Princess) Margaret Theresa, and her companions – her ladies-in-waiting, chaperone, bodyguards, dwarfs, and dog. Velázquez stands to the left as he paints.

It’s long been thought/assumed/theorised that the painting depicts what the King and Queen would have seen, rather than what the artist could see. But this book asks the questions of different perspectives – were the King and Queen ever there at all? Were they in another room, or looking from another angle? Was the artist simply looking in a mirror at himself and those who walked by?

The author of Everything Is Happening doesn’t agree with much of the analysis work done to Las Meninas, suggesting that the constant discussion of the work destroys much of the Velázquez mystery. The French 1966 analysis particularly gets criticism from Jacobs, who is angered by the view that the painting is merely ‘an audience looking a painting while the painter looks at the audience’. But from that opinion climbed to more intense and detailed opinions over the years, thus ruining the mystery. As a different take, Jacobs believed the painting is one that shows realistic children of the age, and of textures and colours that are completely authentic and lifelike.

Jacobs himself as about to enter the room where Las Meninas was originally hung when the books stops, his illness drawing this particular search to a close. But Ed Vulliamy, the book’s second author, assumed the book would have met Anthony Blunt, a tutor who taught Jacobs how to read paintings created during the reign of King Philip IV, Velázquez in particular.

Thanks to Vulliamy writing an introduction and an afterword on the book, despite the author’s demise, the book is one where suggestions and realism can work together to tell the story of Las Meninas. No need to be an art lover to understand and enjoy.

SPAIN BOOK REVIEW OCTOBER: ‘Hell and Good Company’ by Richard Rhodes

This book skims the basics, which, in theory, should be good for newcomers. But with the omissions of this book, those new to the subject won’t get the full picture. Bonus point from me – New Zealand journalist Geoffrey Cox gets a mention, someone often missed. This book is suited to those looking for something specific, and in the style of the author. To enjoy, make sure that is you before you buy.

SPAIN BOOK REVIEW SEPTEMBER: ‘­­¡No Pasarán! Writings from the Spanish Civil War’ by Pete Aryton

Hope, resignation, despair, sadness, humour, confusion, ruthlessness, compassion, kindness, generosity and love inhabit Pete Ayrton’s anthology of writings from the Spanish Civil War: there is little sense of certainty and still less of triumphalism among the bewilderingly diverse Republican and Nationalist coalitions, all shades of which are represented here. Previous collections privileged the writings of the International Brigades over those of the Spanish, sometimes excluding them altogether. ¡No Pasarán! corrects the balance: by far the largest contingent of its thirty-five writers are Spanish, including Luis Buñuel, Manuel Rivas, Javier Cercas, Arturo Barea, Joan Sales and Chaves Nogales. The remainder offer contrasting perspectives of participants in the conflict from America (among them John Dos Passos, Muriel Rukeyser and Langston Hughes); Italy (Curzio Malaparte and Leonardo Sciascia); France (Jean-Paul Sartre, André Malraux and others); Germany (Gustav Regler); Russia (Victor Serge); Great Britain (including Arthur Koestler, George Orwell and Laurie Lee); Cuba, Argentina and Mexico.

Pete Ayrton brings together hauntingly vivid stories from a bitterly fought war. This is powerful writing that allows the reader to witness life behind and at the front lines of both sides.

cover art and blurb via Amazon – released 2016

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¡No Pasarán!: Writings from the Spanish Civil War, is a selection of texts, mostly from Spanish writers, all brought together by Pete Aryton. The story of the SCW is so often told by foreign journalists and writers, and through the eyes of the International Brigades. This time it is a far more Spanish view of the war.

The book makes a strong start with Luis Buñuel with My Last Breath, which forms part of his autobiography. The chapter tells of when Franco arrives in Spain, when Buñuel was in Madrid. While Buñuel longed for revolution, the initial siege between Spaniards in Madrid is shocking for the artist. The book goes a long way to describe all the groups on the Republican side (Anarchists, Socialist, Communist, etc,) trying to come together to fight a far more organised enemy. Importantly, what the anarchists wanted for Spain – their own utopia-like society is explained and discussed. Buñuel is one, if not the best, voice in the book and the one who explains the war the best, from the beginning, and from the ideas of multiple sides.

A great piece of writing is that of Dulce Chacón. Her chapter -The Missing Toe’, part of her novel The Sleeping Voice, is about a female prison, Prisión de Ventas in Madrid. The prison is run by guards and nuns and is vicious place to be.

One advantage of this book is the voice of José María Gironella, who fought for Franco and was Catholic. This way, the destruction of churches and burning of priests can be explained from the religious-minded and the destruction (in this particular case) by Communists. The Republican crimes aren’t glossed over in this book.

One excellent read is a part from Forbidden Territory by  Juan Goytisolo. In a rich part of Barcelona, Franco supporters hide in wait for safety. The writer’s family themselves are affected and killed. While Barcelona during the war is so often centred on the controlling Anarchist/Republican factions, an insight to the enemy side is confronting and sad.

A portion taken from The Wall, by Jean Paul Sartre, is short but essential. Pablo Obbieta is a Nationalist prisoner, threatened with death unless he tells info to his captors. But as Nationalists never keep prisoners and leave only bodies, nothing can end well.

The eternal voice of Arturo Barea is naturally included, ‘The War is a Lesson’ from The Clash. It focuses on the portion where Barea needs to leave Madrid for his safety, though never wants to leave the besieged Madrid, the centre of the battle for his country.

This collection by Pete Aryton is an essential read. It not only beings together Spanish voices, it can also be a literal reading list of other writers to look for, voices often forgotten in SCW reading lists. Other notable voices included are Lee, Orwell, Rivas, Cercas and Soler, while including lesser mentioned authors Rororeda, Atxaga, Fraile, Etchebáháre and many more, a total of 38 writers. Everybody needs this book.

SPAIN BOOK REVIEW AUGUST: ‘Lorca, Buñuel, Dalí – Forbidden Pleasures and Connected Lives’ by Gwynne Edwards

Lorca, Buñuel and Dalí were, in their respective fields of poetry and theatre, cinema, and painting, three of the most imaginative creative artists of the twentieth century; their impact was felt far beyond the boundaries of their native Spain. But if individually they have been examined by many, their connected lives have rarely been considered. It is these, the ties that bind them, that constitute the subject of this illuminating book.

They were born within six years of each other and, as Gwynne Edwards reveals, their childhood circumstances were very similar, each being affected by a narrow-minded society and an intolerant religious background, which equated sex with sin. All three experienced sexual problems of different kinds: Lorca, homosexual anguish, Buñuel sexual inhibition, and Dalí virtual impotence. They met during the 1920s at the Residencia de Estudiantes in Madrid, which channelled their respective obsessions into the cultural forms then prevalent in Europe, in particular Surrealism. Rooted in such turmoil, their work — from Lorca’s dramatic characters seeking sexual fulfilment, to Buñuel’s frustrated men and women, and Dalí’s potent images of shame and guilt — is highly autobiographical. Their left-wing outrage directed at bourgeois values and the Catholic Church was sharpened by the political upheavals of the 1930s, which in Spain led to the catastrophic Civil War of 1936-39. Lorca was murdered by Franco’s fascists in 1936. This tragic event hastened Buñuel’s departure to Mexico and Dalí’s to New York and Edwards relates how for the rest of his life Buñuel clung to his left-wing ideals and made outstanding films, while the increasingly eccentric and money-grubbing Dalí embraced Fascism and the Catholic Church and his art went into steep decline.

cover art and blurb via amazon

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I can’t remember where I got this book – probably on one of my book buying binges (say that three times fast) – but it has sat unread on my shelves for to-reads. Since I wrote my Lorca 80th anniversary article just over a week ago, I thought I could dedicate this month’s book review to the man as well.

Federico García Lorca, Manuel Buñuel and Salvador Dalí are three very well-known men. All born wealthy around the turn of the century, by the early 1920’s they were already established in their fields: Lorca with his writing, Buñuel with plays and film creation and Dalí with his painting. Each was rare and unique in a world filled with many artists exploding onto the European scene at the time. All housed at the Residencia de Estudiantes in Madrid to study, these three artists came together to bond, collaborate and touch each others lives forever.

This book doesn’t necessarily reveal any new information about the trio, rather tells details, big and small, in a clean, easy-to-read way. Four pages in I was already enjoying the book, with its interesting yet gentle flow of the lives of these men. The book does lean on info about Lorca a lot, but he was always a strikingly interesting soul. The book discusses Lorca’s love for Dalí in the 20’s, and doesn’t suggest impotent Dalí ever accepted any of the advances, but it doesn’t clearly say he didn’t either. These men have intensely interesting sex lives, each forever influenced (scalded?) with the Catholic faith. Lorca and his homosexuality interwoven with his depression, and pain of never having children, Buñuel and his religious thoughts that sex was sinful, even when married, and Dalí with his impotency, voyeurism and his wife’s need to find sex elsewhere. Every aspect of their lives is deeply shaped by what Spain was, and wanted to become.

Things became strained with the threesome in the late 20’s and early 30’s with Lorca leaving the country for some recuperation. Buñuel continued to live his strict, regimented lifestyle while pursuing films and abusing his wife, and Dalí continued to be a real dick (literally incapable of being a functional adult after a weird childhood), and showing off, plus his desire for fame and fortune totally went to his head. Lorca meanwhile continued to produce incredible works and establish his career. Then the war came along.

The outbreak of the civil war, and the state of Spain is well covered to the point the book needs, to show what the men faced. Lorca’s last weeks are well covered, from the moment he decided to leave Madrid for Granada to save his parents. Buñuel begged him not to go, as it would not be safe. Lorca’s time there and his attempts to help his beloved family are covered, along with his mysterious and tragic execution in the forest. There are many places in which to read about Lorca’s last days, but this book does a great job on the subject.

Buñuel went into exile in Paris, much different from Lorca’s need to jump headfirst into Spain’s crisis. Dalí was the opposite; he turned his back on his country and went off making money from rich Americans. When he was ready, Dalí and his wife returned to Spain as fascism lovers, supporting Franco, since that was the in-vogue thing to do. His life fell apart, and being so, well, douchey, Dalí had it coming. Buñuel too had moments of bad behaviour, though his art never suffered for it, continuing to create films on his own terms. In many, many writings and interviews, Buñuel continued to talk of Lorca, his work, and their time together, forever touched by their connection. After Lorca’s execution, Buñuel and Dalí unsurprisingly grew apart, and Dalí’s feelings for his murdered friend never really made sense, or could be trusted.

As I said, this book covers the lives of well-known men, so information isn’t necessarily new, but it does bring all very important parts together in one book, and shows the intertwining links of these three men, and the things which separated them. Never has Spain had such a generation of artists, and maybe never will again. A wonderful read.

SPAIN BOOK REVIEW: July – The Spanish Civil War 80th Anniversary – Part 2: Fiction

Following on from yesterday’s post –SPAIN BOOK REVIEW: July – The Spanish Civil War 80th Anniversary – Part 1: Non-fiction, here is part two, novels based around the Spanish Civil War. It is a particularly difficult task to pluck suggestions from so many books on offer, so I stuck to just a few of the books I have read, and only ones in English. I included my own book because… well, I can! Great to have a selection of female writers, as part one was sorely lacking. If you have an suggestions, let me know.

All cover art and blurbs are via their amazon links

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BLOOD IN THE VALENCIAN SOIL: LOVE AND HATE HIDDEN IN THE LEGACY OF THE SPANISH CIVIL WAR by Caroline Angus Baker

Pleasure is as fragile as glass… Spain, March 1939 – the Spanish Civil War is coming to an end. Five young Republicans in the small town of Cuenca know they are on the losing side of the war. History only recognises the winners, and the group know they could die, all destined to become faceless statistics. They concoct a plan to go to Valencia in search of safety, but not all of these young men and women are going to survive? Seventy years later, bicycle mechanic Luna Montgomery, the granddaughter of a New Zealand nurse who served during the Spanish Civil War, has made Spain her home. A young widow and mother of two little boys, Luna wants to know what became of her Spanish grandfather. He is one of the ‘disappeared’, one of the hundreds of thousands of Spaniards who were murdered and hidden away during and after the war. On a quick trip to Madrid, Luna forms an unlikely friendship with an intelligent and popular bullfighter, Cayetano Beltran, but as Luna presses on to delve into Spain’s history for answers, Cayetano struggles with truths he wished he had never found out. In an ever-changing society that respects and upholds family ties, betrayal by the people who Luna and Cayetano hold dear will hurt them more than they could have realised. There are old wounds that have yet to heal underneath Spain’s ‘pact of forgetting’.

This is my first book series based entirely in Spain, and this is the first book in a three part series. The first book is based during the war, the others during and at the end of Franco’s reign. See my Secrets of Spain category for all the details. 

51acqUu++xL._SY346_WINTER IN MADRID by C J Sansom

1940: The Spanish Civil War is over, and Madrid lies ruined, its people starving, while the Germans continue their relentless march through Europe. Britain now stands alone while General Franco considers whether to abandon neutrality and enter the war.

Into this uncertain world comes Harry Brett: a traumatised veteran of Dunkirk turned reluctant spy for the British Secret Service. Sent to gain the confidence of old schoolfriend Sandy Forsyth, now a shady Madrid businessman, Harry finds himself involved in a dangerous game – and surrounded by memories. Meanwhile Sandy’s girlfriend, ex-Red Cross nurse Barbara Clare, is engaged on a secret mission of her own – to find her former lover Bernie Piper, a passionate Communist in the International Brigades, who vanished on the bloody battlefields of the Jarama.

In a vivid and haunting depiction of wartime Spain, Winter in Madrid is an intimate and compelling tale which offers a remarkable sense of history unfolding, and the profound impact of impossible choices.

Winter in Madrid is one of the most popular civil war novels available. I found some of the characters annoying, but I suppose that’s proof the author can make people authentic. Read my review here

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FOR WHOM THE BELL TOLLS by Ernest Hemingway

The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan’s love for the beautiful Maria and his superb account of El Sordo’s last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving, and wise. “If the function of a writer is to reveal reality,” Maxwell Perkins wrote Hemingway after reading the manuscript, “no one ever so completely performed it.” Greater in power, broader in scope, and more intensely emotional than any of the author’s previous works, it stands as one of the best war novels of all time.

THE Hemingway war novel. Just read it – why haven’t you already? Read my review here

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ALBERTO’S LOST BIRTHDAY by Diana Rosie

A little boy and his grandfather embark on a quest to find the old man’s missing birthday in Diana Rosie’s debut novel, Alberto’s Lost Birthday.

As a child, Alberto lost his birthday in the Spanish civil war. Now an old man living a simple life, he rarely thinks about his disappeared past.

But when his grandson discovers his Apu has never had a birthday party, never blown out candles on a birthday cake, and never received a single card or present, he’s determined to do something about it.

As the two set off to find Alberto’s birthday, they have no idea it will be a journey that takes them through Spain’s troubled past, to places – and people – that Alberto once knew.

But in a country that has vowed to move forward, looking back can be difficult. Will they be able to find the memories they’re searching for?

A sweet and interesting take on historical memory in Spain.

51rvAH5wS2L._SY346_GUERNICA by Dave Boling

n 1935, Miguel Navarro finds himself on the wrong side of the Spanish Nationalists, so he flees to Guernica, the most ancient town of the Basque region. In the midst of this idyllic, isolated bastion of democratic values, Miguel finds more than a new life-he finds a love that not even war, tragedy or death can destroy.

The bombing of Guernica was a devastating experiment in total warfare by the German Luftwaffe in the run-up to World War II . For the Basques, it was an attack on the soul of their ancient nation. History and fiction merge seamlessly in this beautiful novel about the resilience of family, love, and tradition in the face of hardship.

Guernica is a widely loved novel based in the Basque region and its unimaginable destruction in the late 30’s. A place mostly untouched by the world became the testing ground for misery.
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SOLDIERS OF SALAMIS by Javier Cercas

In the final moments of the Spanish Civil War, fifty prominent Nationalist prisoners are executed by firing squad. Among them is the writer and fascist Rafael Sanchez Mazas.   As the guns fire, he escapes into the forest, and can hear a search party and their dogs hunting him down.

The branches move and he finds himself looking into the eyes of a militiaman, and faces death for the second time that day. But the unknown soldier simply turns and walks away.

Sanchez Mazas becomes a national hero and the soldier disappears into history.  As Cercas sifts the evidence to establish what happened, he realises that the true hero may not be Sanchez Mazas at all, but the soldier who chose not to shoot him.  Who was he?  Why did he spare him?  And might he still be alive?

Another hugely popular book translated into English, and well worth the read. Read my review here

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DEATH OF A NATIONALIST by Rebecca Pawel

Madrid 1939. Carlos Tejada Alonso y León is a Sergeant in the Guardia Civil, a rank rare for a man not yet thirty, but Tejada is an unusual recruit. The bitter civil war between the Nationalists and the Republicans has interrupted his legal studies in Salamanca. Second son of a conservative Southern family of landowners, he is an enthusiast for the Catholic Franquista cause, a dedicated, and now triumphant, Nationalist.

This war has drawn international attention. In a dress rehearsal for World War II, fascists support the Nationalists, while communists have come to the aid of the Republicans. Atrocities have devastated both sides. It is at this moment, when the Republicans have surrendered, and the Guardia Civil has begun to impose order in the ruins of Madrid, that Tejada finds the body of his best friend, a hero of the siege of Toledo, shot to death on a street named Amor de Dios. Naturally, a Red is suspected. And it is easy for Tejada to assume that the woman caught kneeling over the body is the killer. But when his doubts are aroused, he cannot help seeking justice.

This is the first book in a series featuring the same characters. Great to see an author taking this line of fiction.

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THE CARPENTER’S PENCIL by Manuel Rivas

Manuel Rivas has been heralded as one of the brightest in a new wave of Spanish writers influenced by Spanish and European traditions, as well as by the history of Spain over the past seventy years.

A bestseller in Spain, The Carpenter’s Pencil has been published in nine countries.

Set in the dark days of the Spanish Civil War, The Carpenter’s Pencil charts the linked destinies of a remarkable cast of unique characters. All are bound by the events of the Civil War-the artists and the peasants alike-and all are brought to life, in Rivas’s skillful hand, with the power of the carpenter’s pencil, a pencil that draws both the measured line and the artist’s dazzling vision.

Originally written in Galician, this is another great opportunity for readers to enjoy Spanish (Galician) authors on the subject.

51s-joC4ONL._SL500_SX331_BO1,204,203,200_THE STUFF OF HEROES by Miguel Delibes

Set in the 1930s during the Spanish Civil War, Delibes’s ( The Hedge ) plot chronicles the shifting fortunes of the De la Lastra family, which finds itself divided by politics. Much of the story is seen through the eyes of young Gervasio, who dreams of becoming a military hero. While Gervasio enlists in the Navy in order to fight the Communists, his father, a naturopathic doctor, is imprisoned for more liberal beliefs. The surrealistic horror of war, which directly touches every member of the family, is lightened by farcical domestic dramas. Gervasio’s haughty sister has her marriage to a homosexual annulled, only to find herself involved with a Fascist. Gervasio’s nurse, who tries to turn him against his family, outsmarts herself and is dismissed. As Gervasio daily comes closer and closer to battle, he faces his own conservatism, and finally must answer the question posed by Delibes: Which side of this bloody confrontation is indeed just?

This book can be hard to find, but worth it, being a little complex and quirky. Proof the war had few winners.

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IN THE NIGHT OF TIME by Antonio Muñoz Molina

October 1936. Spanish architect Ignacio Abel arrives at Penn Station, the final stop on his journey from war-torn Madrid, where he has left behind his wife and children, abandoning them to uncertainty. Crossing the fragile borders of Europe, he reflects on months of fratricidal conflict in his embattled country, his own transformation from a bricklayer’s son to a respected bourgeois husband and professional, and the all-consuming love affair with an American woman that forever alters his life.

A rich, panoramic portrait of Spain on the brink of civil war, In the Night of Time details the passions and tragedies of a country tearing itself apart. Compared in scope and importance to War and Peace, Muñoz Molina’s masterpiece is the great epic of the Spanish Civil War written by one of Spain’s most important contemporary novelists.

This book is quite a read, it took me months to get through it all. Epic is the only word I would use to describe the novel.

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SEVEN RED SUNDAYS by Ramón J Sender

The time is 1935. The place is Madrid, a city beset by labor unrest which has raised fears―and among some, hopes―of revolution. At an overflow meeting of workingmen, the military intervenes and three of the workers’ leaders and a member of the socialist party are killed. A public funeral ends in street fighting, sabotage, and the prospect of a general strike throughout Spain. From these events Ramón Sender has fashioned a novel of terror and beauty―one of the great unsung works of the 20th century. Behind the confused and conflicting theories of the revolutionaries who are the central characters of Seven Red Sundays, Mr. Sender discovers a sublime faith and a spirit of self-sacrifice. But whether these idealists with guns represent hope or despair is a haunting question which the reader must decide.

Another book that can be hard to track down. The books focus on the lives of ordinary people in the lead up to the outbreak of war.

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SHADOW OF THE WIND by Carlos Ruiz Zafón

It is 1945 and Barcelona is enduring the long aftermath of civil war when Daniel Sempere’s bookseller father decides his son is old enough to visit the secret Cemetery of Forgotten Books. There Daniel must ‘adopt’ a single book, promising to care for it and keep it alive always. His choice falls on The Shadow of the Wind.

Bewitched, he embarks on an epic quest to find the truth about Julian Carax, the book’s mysterious author. Soon Daniel is consumed by strange discoveries about love and obsession, art and life, and how they become entangled within the shadow world of books.

The Shadow of the Wind is a mesmerising love story and literary thriller, which twists and turns and enthralls with its cast of vengeful souls, threatening spectres and innocent hearts.

The Shadow of the Wind series is not to be missed. About more than just the war, its aftermath and a gothic mystery feel are added. While the second book in the series, The Angels’ Game, is less war related (but incredible), the third in the series is about prisoners during the civil war. Stop reading this and go and get these books. Now.

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THUS BAD BEGINS by Javier Marías

As a young man, Juan de Vere takes a job that will haunt him for the rest of his life. Eduardo Muriel is a famous film director – urbane, discreet, irreproachable – an irresistible idol to a young man. Muriel’s wife Beatriz is a soft, ripe woman who slips through her husband’s home like an unwanted ghost, finding solace in other beds. And on the periphery of all their lives stands Dr Jorge Van Vechten, a shadowy family friend implicated in unsavoury rumours that Muriel cannot bear to pursue himself – rumours he asks Juan to investigate instead. But as Juan draws closer to the truth, he uncovers more questions, ones his employer has not asked and would rather not answer. Why does Muriel hate Beatriz? How did Beatriz meet Van Vechten? And what happened during the war?

As Juan learns more about his employers, he begins to understand the conflicting pulls of desire, power and guilt that govern their lives – and his own. Marias presents a study of the infinitely permeable boundaries between private and public selves, between observer and participant, between the deceptions we suffer from others and those we enact upon ourselves.

This book, again in Marías’ flowing prose, is the author’ latest work, about a man digging in the his bosses war past and a bit of a journey into voyeurism. Read my review here

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NADA by Carmen Laforet

One of the most important literary works of post-Civil War Spain, Nada is the semiautobiographical story of an orphaned young woman who leaves her small town to attend university in war-ravaged Barcelona. Edith Grossman’s vital new translation captures Carmen Laforet’s feverish energy, powerful imagery, and subtle humor. Nada, which includes an illuminating Introduction by Mario Vargas Llosa, is one of the great novels of twentieth-century Europe.

“Laforet vividly conveys the strangeness of Barcelona in the 1940s, a city that has survived civil war only to find itself muted by Franco’s dictatorship…The spirit of sly resistance that Laforet’s novel expresses, its heroine’s determination to escape provincial poverty and to immerse herself in ‘lights, noises, the entire tide of life,’ has lost none of its power of persuasion.”

This book is based in the aftermath of the war and one I couldn’t put down. Read my review here

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MAZURKA FOR TWO DEAD MEN by Camilo José Cela

The Spanish Civil War intrudes almost casually on the characters’ picaresque doings in Cela’s amorphous, bawdy novel, first published in Spain in 1983. Set in the mountainous region of Galicia and redolent with the Spanish countryside’s wild beauty and its inhabitants’ folkways, the work depicts a gallery of sinners, fools and misfits in overlapping yarns that span several generations. The plot involves Lionheart Gamuzo, who was shot in the back in 1936, and his brother Tanis, who in 1940 avenges the death with trained killer dogs. The blind Gaudencio, who works as an accordionist in a whorehouse, plays the same mazurka to commemorate these deaths, framing a sprawling canvas peopled with an enormous Rabelaisian cast, including jazz musician Uncle Cleto, who vomits whenever he’s bored; the widow Fina, who is fond of bedding priests; and Roque Gamuzo, who is famed for his colossal member. Winner of the 1989 Nobel Prize for literature, Cela ( The Family of Pascual Duarte ) garrulously conveys the impression that “mankind is a hairy, gregarious beast, wearisome and devoted to miracles and happenings.” The musical translation captures his lyricism and colloquial flavor.

I love this author and all his works are worth taking the time to find and read. This book is a bit all-over-the-place but still worthy of attention.

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THE SENTINEL by Mark Oldfield

You can’t escape the past.

He was the cold steel behind Franco’s regime. The fear behind Franco’s power.

57 years ago, Comandante Leopoldo Guzmán disappeared without a trace. They know what he did, but they don’t know where he’s gone.

Madrid, winter 1953: the snow lies thick on the ground and Comandante Guzmán of the Brigada Especial is preparing a dawn raid. His job is to hunt down opponents of Franco’s regime and destroy them. Feared by all in Franco’s Spain, Guzmán takes what he wants: food, drink, women.

That is about to change. Guzmán is going to find himself on the wrong side of Franco, and on the wrong side of history. It’s not the first time Guzmán has been on the wrong side. But there’s no one left alive who knows about that… until he gets a message from a dead man…

Madrid, 2009: Ana María Galindez is a forensic scientist investigating a mass grave from the Franco era. Now she is hunting for the hidden ledger of secret policeman Leopoldo Guzmán – a man who disappeared without trace in 1953. But there are those who would rather the secrets of Guzmán’s ledger stay buried. Galindez’ pursuit of the past has revealed a battle for the present…

This is the first in a three part series, and a long read worth your time.  Read my review here. Book two, The Exile is also available. Read my review here