SPAIN BOOK REVIEW: ‘Winter in Madrid’ by C J Sansom

Winter in Madrid

1940: The Spanish Civil War is over, and Madrid lies ruined, its people starving, while the Germans continue their relentless march through Europe. Britain now stands alone while General Franco considers whether to abandon neutrality and enter the war.

Into this uncertain world comes Harry Brett: a traumatised veteran of Dunkirk turned reluctant spy for the British Secret Service. Sent to gain the confidence of old schoolfriend Sandy Forsyth, now a shady Madrid businessman, Harry finds himself involved in a dangerous game – and surrounded by memories.

Meanwhile Sandy’s girlfriend, ex-Red Cross nurse Barbara Clare, is engaged on a secret mission of her own – to find her former lover Bernie Piper, a passionate Communist in the International Brigades, who vanished on the bloody battlefields of the Jarama.

A vivid and haunting depiction of wartime Spain, Winter in Madrid is an intimate and compelling tale which offers a remarkable sense of history unfolding, and the profound impact of impossible choices.

~~

I must confess that Winter in Madrid is ‘that’ book for me – the one everyone seems to rave about, but I never ended up reading. I got this book five years ago, but after the first two chapters, put it aside, finding its ‘rich British toff’ language to be tiring. Then my father ‘borrowed’ the book, and I only got it back 18 months ago when he passed away. Still, only now could I push on and finally read.

The first forty or so pages set up the story of Harry Brett, a British war veteran invalided out after Dunkirk. Harry is recruited to be a spy in Madrid, thanks to his Spanish fluency and his connections within a public school upbringing (often called private school in most countries. Rich bratty kids). With all of the snobbish upper class language of Downton Abbey, but with none of the poise, Harry is convinced to fly to Madrid in 1940 and spy on an old school mate, who is claiming to have found gold deposits outside Madrid. If Franco has gold, he will rely less on the frugal aid Britain provides, and will be compelled to ditch their neutrality in the Second World War. Hitler is winning, England is looking weary, and newly fascist Spain could be a threat.

That is where we meet the star of the show – Madrid, 1940. The only word to be used is stark in its portrayal, and rightly so. The author has done an unquestionable job in his research of the time. The lives of those in Madrid are intolerable, and the spirits of the proud people are well and truly starving and crushed by the fascist regime. Slightly annoyingly, the book jumps between time periods, of Harry’s days in his snobby school, 1931 where he and friend Bernie first go to Madrid, and the city is down-trodden but on the verge of change, and 1936, when the war starts, and the souls of the working class are surging with hope. I suppose the schoolyard sections are there to show the life of Harry, his interaction with best buddy Bernie, and that of Sandy Forsyth, the rich brat who had gone to bigger things under Franco. The jumps in time period fill in all the blanks, but it means the book leaps about more often than most stories.

Along the way, we meet Barbara Clare, former lover of Communist Bernie, who spurned his upper-crust lifestyle for new ideals, and was listed as missing presumed killed in Jarama 1937. Barbara fell head over heels but Bernie left her in Madrid to fight on the front lines. Three years on, Barbara has moved on to Sandy, who ‘made her’, as he says in the most rapist-like way when he’s angry. Barbara is difficult to love – she had the courage to be in Spain during the war with the Red Cross, but has been reduced to being a borderline alcoholic, chain-smoking rich housewife (without the ring). She sighs her way through concerts with Franco while wearing fur, while most are freezing. She laments on her misery while living in almost paradise-like surroundings while Madrid languishes with hunger. She can’t get over poor  Bernie, who was never a smart guy but had plenty of good intentions. I rather hoped lung cancer would kick in through all Barbara’s cigarettes and waif-like point-of-view.

Harry pushes on, spying on Sandy and Barbara, meeting many nasty characters under the Franco regime. He attends lavish parties hosted by wartime murderers, but walks the streets of the poor as he remembers Bernie. As the web begins to twist around the characters, Harry meets Sofia in the most unusual circumstances. Sofia has had a tough working class life and is the epitome of the locals in the area. Harry spends more time with her, and finally realises he is sleep-walking through life thanks to his rich, snobbish school education. As the push to uncover Sandy’s gold mine continues, Harry and Barbara each keep a variety of secrets which unthreads their fragile minds and pits their survival against evil characters.

Bernie’s point of view tells the story of a British communist stuck in a concentration camp outside the town of Cuenca, and the harsh conditions imposed. Many people fail to realise the existence of Spanish concentration camps under Franco, never photographed and dismantled completely after use. All these characters conspire against each other and those around them, resulting in a massive twist ending where not everyone survives and all the characters are left with blood on their hands.

I know Madrid well and know Cuenca like the back of my hand, and reading about the places in this time period genuinely interests me. If you know little about the Spanish civil war or the Franco regime, this book will give you a realistic insight. The locations and descriptions are exquisite, and the author’s work on detail and political alliances of the time is stunning. But the conversation, the wealthy British language can be hard to take, leaving the conversations feeling stiff and unfulfilled over endless glasses of whiskey. The book lets down its female characters – Barbara is a flake (maybe weighed down by too many bad Madrid coffees?) and Sofia doesn’t get the prime position she deserves. Harry, the main character of the story, is a nice enough guy, though his fate never concerned me. Sandy is a terrific passive aggressive scumbag and Bernie left me so furious that I threw the book down in anger at the end. Not many books have that effect on me!  But rest assured, you will find yourself reading all the way to the end to see what happens to Harry, Bernie, Barbara, Sofia and Sandy. Whether you hope they live, or die in a fire-ball, is up to you.

My rating – 4/5 stars. Madrid is a scene-stealer and a study of eternal struggle, but those inhabiting her are too weak to challenge her dominance.

Part 4: Vengeance in the Valencian Water: Photo Tour

Sit back and take in many scenes featured in the upcoming novel Vengeance in the Valencian Water, out January 24. Since the book is brand new, I can’t go into detail about what will happen in each scene featured here (no spoilers allowed), but it gives readers a chance to see just what the areas in Valencia and Madrid look like. Enjoy!

(Spanish spellings have been used, rather than Valencian, for street names. Because Valencian was banned under Franco, the book uses Spanish names for consistency, unless otherwise stated)

 

Valencia – Plaza del temple 50’s, and Plaza Poete Llorante 2013, side by side locations and major book scenes in 1957

 

Valencia – Town Hall building Plaza Ayuntamiento 2013, and (same place) Plaza del Caudillo 1957, including snow in the winter. The location featured heavily in the 1957 story

 

Old town Valencia new and old, all major book scenes in both 1957 and 2010

 

Valencia – Arts and Sciences area where Luna Montgomery lives,  1950’s and today

Calle Reloj Viejo
Calle Reloj Viejo

Calle de Reloj Viejo/ Carrer del Rellotge Vell, where José lives in 1957

 

Bullrings in both Madrid and Valencia, scenes of fights by Cayetano Beltrán in 2010

 

Valencia beaches 1957 and 2010

 

Calle Pechina, site of the old prison (featured in 1957 storyline)

 

Scenes from Madrid frequented by Luna Montgomery

 

Valencia bridges and riverbed, all featured heavily in both 1957 and 2010 storylines

 

Valencia March celebrations during Las Fallas

cathedral

Cuenca cathedral, home to another huge scene, the same as in Blood in the Valencian Soil

Part 5 of the Vengeance in the Valencian Water series will be on January 24, the same day as the book release. The post will feature the whole first chapter, which is set in 1957 and can be read for free. Also, Blood in the Valencian Soil will be free on Amazon for three days only, to coincide with the release of Vengeance in the Valencian Water, so you can grab both book in the series to enjoy.

Click here for Part 1Part 2 and Part 3, featuring all the replies to the recent Q+A session.

All present day photos are author’s own, and 1957 photos are courtesy of Juan Antonio Soler Aces 

PART 3: Vengeance in the Valencian Water Q+A

Click here to read Part 1 and Part 2

Here is the final part of the VITVW questions. I have put questions together to answer as many as possible. If yours was missed, let me know in the comments section.

11 ) Did you learn anything new about writing while working on Vengeance in the Valencian Water? Did you enjoy writing this book? Would you change anything about your books?

I learned plenty once again. My last novel release was only five months ago, but I feel like I learned so much about editing in that tiny space of time. I feel like the quality has stepped up another level. Because the time it took to write this book became a mess due to illness, I had to stay on task, and I learned I can write a lot of a short space of time if I make the effort. If I needed to have a chapter done start to finish in a couple of hours, I can do that. Doing 5000 words a day doesn’t feel like a big deal.

I have two individual book series and they are very different to each other, and flipping between the two wasn’t as hard as last time I swapped between them. I finished Violent Daylight and felt ready to finish VITVW once and for all. Now it’s done, I can go and work on Luminous Colours of Dusk without any trouble. Because I feel happy with the product, can I put it to bed and move on without any worries. Swapping between Night Wants to Forget and Blood in the Valencian Soil was harder because the first edition of NWTF never made me happy.

The other thing I learned is that you need to have several proofreaders. Everyone puts their hands up to volunteer to proofread, but then bow out when they see the level of reading involved. It makes perfect sense, since the world is a busy place, so always get a few extra readers, just in case. Big thanks to Sue Sharpe, who volunteered to painstakingly edit the book, and to Mary Mixon who proofread the entire book in a really short space of time. I wouldn’t change a thing!

IMG_3227

Tip to looker thinner than you are on research trips – stand in a giant room filled with fat pillars

12 ) What did you mean when you wrote on Twitter – ‘I hope I don’t sound like a Franco sympathiser in my next book’? Why do you write about Franco? Is it possible to be objective about Franco?

Eek – Franco questions. It instantly remind me of the troll who told me I was liar and Franco is a hero and a genius. That really happened.

If you have read the first book in the series, you won’t be confused about where my political alliances lie – I am an unashamed leftie. Writing a story about a group of anarchists in the Spanish civil war didn’t produce any trouble for me – the desire for freedom,  rights for the working class and equality for women appeal to everything I stand for. Of course, the two families in the series come from different angles – one Republican anarchists and one Nationalists heavily in favour of Franco. In VITVW, the story learns more about the Morales family and their Franco and religious leanings. What I know is that people on either side of the divide believe in their ideals without question, so I wrote a family who believe Franco was a hero. It’s not my personal belief, and there are plenty of lines in the book which go against what I think is true. Remember it’s not the final book in the series, so it will swing back to my beliefs more in the next book. What’s the point of writing the series if I don’t explore both sides? I am not endorsing Franco at all, the book does not even attempt to do that, and I still dislike religion as much as ever.

IMG_3899

I may take photos of this Falange loving weirdness, but I don’t support it

13 ) Will this book be hard to read if I don’t know anything about the history of Spain? Is this book for Spain lovers? I have never been to Spain, will this book to be complicated?

I hope not! This is not a true story; it’s not a set of facts. VITVW is a novel, first and foremost. While I stuck to reality in terms of the timelines, the people are completely fictional. Are there groups of Franco lovers out there, ready to praise the man? You bet there are (they are called the Spanish government… I’m kidding… but not really…), I spoke to Franco lovers personally. Headlines used in the Valencian papers are close to reality, but the characters are fictional when looking for their stolen babies, and you don’t need to already know the background of the baby stealing process of the Franco era – everything you need to understand in the story is included. Likewise with the 2010 drugs in cycling scandal – everything you need to know to understand it is there.

14) Tell us a few things about you that we don’t know about you. Is your online persona the same as your real-life persona? 

Jaja, my online persona is probably way cooler than real life. In saying that, I am a snappy dresser (I wish) and get into some funny situations. Things you might not know –

I like radishes

I get so seasick that my backyard hammock is even off-limits unless I take my seasickness pills

My homemade salad dressing is made with condensed milk

I scuff the toes of every pair of shoes I own

I climbed onto a railway line when a train hit a car (first on the scene) when I was only 13. Only two of the six car occupants survived. It was as bad as you could imagine. Only two years later I dealt with my step-brother’s body being fished from a river.

I’ve never understood why some women say they feel threatened by other women. I’ve never felt threatened. Am I the threatening one?

I once cried at a Spanish supermarket

My parents both got terminal cancer in their 50’s, which taught me to never hold back – dreams, words, goals; there is no extra time, now is the time to get out there

When I was 17, I carried around a Volvo Ocean Race magazine everywhere I went – I ended up getting work on sails for a team

As a child, I was pulled from classes to take part in a special writing course. The teacher said I had terrific storyline ideas, but I would never be smart enough to write a book

My best friend is my brother who sadly lives in Australia (upside – epic holidays together)

I feel like the last stay-at-home mother left in New Zealand

p51

I was a show-off in 1982 (and a natural blonde! Shh…)

15 ) What else are you writing?

The inevitable question. I will go back to finishing Luminous Colours of Dusk, the third and possibly last book in the Canna Medici series. I’m not sure I could live without Canna! Another book high on the agenda is my novel based in Barcelona, about the glory and demise of the Republican ideals in the civil war. The pressure to get historical detail correct is massive, and the book is a challenge. I do little bouts of writing and researching at a time, rather than taking on the project full-time, because I’m just not ready. I will have to return to Barcelona for a second research trip in the near future. Of course there with be the third novel in the Luna Montgomery series, Death in the Valencian Dust, which will take a lot of work. I also have a book about cheating on someone with cancer, a book about being a pioneer moving to New Zealand in the late 1800’s, and an Australian gold rush story to flesh out. Those six should keep me busy for the rest of the decade, and I’m sure more will come to mind.

Upcoming cover art

Up next is Part 4 of VITVW, photos and locations used in the book. Part 5 will have the first chapter free to read on January 2014, book release day.

Click here to read more  –

PART 1: VENGEANCE IN THE VALENCIAN WATER Q+A

PART 2: VENGEANCE IN THE VALENCIAN WATER Q+A

Since the Blood in the Valencian Soil giveaway went so well, I might sneak in another one before Vengeance in the Valencian Water is released.

PART 2: Vengeance in the Valencian Water Q+A

To read part one, click here – PART 1: VENGEANCE IN THE VALENCIAN WATER Q+A

Here we go, part two of the Q+A, time for some of the more specific questions –

6 ) Did you base the characters on real-life people, like with Blood in the Valencian Soil? 

Rather than look at the situations of specific individuals and make a fictional tale based on their lives, this book takes a different vein. This book follows real events (like BITVS) but has all fictional characters. This book is a snapshot of Valencia in 1957 and the characters live in what was reality at the time. I spent countless hours studying photographs and recollections of the city and its way of life at the time. I also studied the 1957 flood over the period of about a year, so I knew all the details I needed. I got to point where I knew the water level of individual streets around the city. I also walked those streets in Valencia, to visualise the scenarios for myself. All of the characters are entirely fictional, and would not want to meet these people in person!

As for the 2010 characters, they are all also fictional, but live in Spain as it was that year. One chapter sees Luna caught up in a protests in Madrid, and I made sure there was a protest in Puerta del Sol in that month, and checked what they protested against and what their signs said. The timeline is accurate, but no one is based on a real person.

Graham Hunt was kind enough to capture this, so it had to go in the book

7 ) What did you research for the book? You talk about research a lot of twitter.

Jaja, my twitter rambling coming back to bite me. Following on my from the last question – I researched a lot. For me, when I sit down to write, I need to be able to envisage the whole scene in my mind before a word can be written. When it’s based in Valencia, imagining somewhere is a piece of cake. But still, I need to know the details are in place before I can start. For example, when writing José in 1957, I needed to know what his Guardia Civil uniform looked like, or what the fashion of the time looked like in Valencia. That meant tracking down photographs in 1957. There is one scene were José has to wear what I imagine as the most ugly brown suit ever, but then in another, the smoothest grey suit you can imagine. I know both of these were on sale because I checked. I don’t spend a great deal of time on clothing unless it’s relevant to the scene, so you don’t feel bombarded with inane tidbits. But when they buy 1957 swimsuits, I checked to see what you could get at Malvarrosa at the time. Beach umbrellas are the right colour, restaurant decor is correct, street names are correct, even the flowers bought at the market are the right type. When Franco arrives, his car is the right kind, the positions are correct, the aides are dressed properly. When it comes to bullfighting, the clothes are correct, the details of a fight are correct, the feeling from the crowd is correct ( I know this because I sat there to get it right). Valencia is the perfect place to use as a location because there is just so much to see, and how much the city has changed is incredible. I have studied the detail of the city from the mid-1800’s until now and the changes are amazing, yet the core, the heart of the city remains the same.

Calle Miguelete at Plaza de la Virgen, both Jose’s 1957 and Luna’s 2010 reality 

8) Are there any storyline pieces you are worried about? Does reaction to the book worry you?

Does it worry me? Only all the time. Writing a book is like walking around naked, you are fully exposed to embarrassment and ridicule. I feel like a running joke – an author with an anxiety disorder. I dream about being teased about typos. After writing a  chapter, I put on a cynical hat and question its believability. With the Luna Montgomery series, I want things to be as realistic as possible. Fortunately, by following real-life scenarios, the possibility of the storyline being over-the-top is nigh impossible. With the flood, it’s all real, as is the babies stolen by the church. None of that needed to be made up. The 2010 storyline gave me more worries. The medical details were something I was careful with – there’s nothing worse than reading/watching something and a character is sick and makes an instant miracle recovery. Anyone who suffered or nursed someone with a serious illness or injury will see right through it. I had to check the detail very carefully. I fight constantly with Luna and Cayetano, to make sure they are believable and full of flaws. Perfection doesn’t exist and neither of them can appear to have the upper hand over the other. They both make mistakes, they both say stupid things, like any couple. I worried, about halfway through, that Luna was being too needy, and then wasn’t being strong enough. At the end, I did worry if all the feminists out there will be disappointed with her life choices, but to me, she does all she needs to do for all around her. She doesn’t have the luxury of making decisions to suit herself. I also worry if Cayetano comes off as arrogant or selfish at times, but have tried to suitably redeem him. You aren’t supposed to like every character all the time anyway.

9 )Why give Luna two children? What’s the point?

There is plenty of point. From the very beginning, I imagined Luna with two sons. Luna is the very first character I ever created, back in 2009 when I was still finding my feet. (You can’t accuse me of not taking my time with the characters. I took 18 months off these characters to work on Canna Medici while I got this series together.) Luna meets Cayetano and their lives are a mess. They meet to uncover murdered relatives, so it’s not a love story. From the very beginning, Cayetano always had María, his wife. That in itself is a nightmare, but to have Luna as a single woman would be too easy, and make her too perfect. I made her a parent because it suits her, she’s the type to cope well with sons. I had to also make her a widow, because that was the only way to make her solo mother, no other scenario worked on Luna and Fabrizio as a couple. I’ve been the child of a solo mother, and know just how amazing they are. To have a male and female lead character makes it easy for them to fall into a relationship, or at least an affair, and by making Luna a widowed solo mother, and Cayetano already married, it gave me far more scope to develop the characters and their interactions. They come from totally different perspectives, and not just because their families sit on opposite sides of the political and religious divide. They cannot understand each other’s situations because they are so bogged down in their own realities. Just when the path seems smooth for a quiet life, I have something to throw in the mix. This isn’t a romance novel (but if you like romance, I have one in the pipeline to come out after my next civil war book, so bear with me!)

10 ) Which of the two books (Blood in the Valencian Soil and Vengeance in the Valencian Water) have you enjoyed writing the most….and why?

That is a really hard choice. BITVS was my baby, I nursed her for quite some before I got the book I wanted. It is centred in the civil war, something that gives me enough inspiration to write 100 books. It is set around a murdered grandfather, something very close to home for me. The issue of relative killed in the civil war and hidden away also hits close to home for me. The story of a kiwi nurse in Spain is something I took the time to understand, follow and genuinely care about. It was great to meet the family of Renee Shadbolt, the real Scarlett Montgomery, and how proud they were of her. Real people in real scenarios flourishing and despairing was what I wanted to create. I will always love BITVS.

one place – three periods in the series

VITVW is totally different. Writing one book and making it my baby seems easy compared to following it up with a suitable sequel. I wanted to continue the series, but at the same time, make a story that can stand on its own. It needed to pack all the punch of the first book, without going over old detail. I can’t remember when I decided to write a Valencia flood novel, but I don’t think it’s been done before (feel free to correct me). It would have been easy to have Luna and Cayetano go back through another civil war story and it probably would have worked, too. But going back to the 1950’s instead of the 1930’s gave the series new life. The third book goes to the 1970’s, so the state of Spain under Franco through the years can be seen in long form. From war in the 30’s, to the heavy-handed rule of the 50’s, to the unstable 70’s, the story of the Beltrán and Morales families can tell a huge story. The present day storyline also gives that chance. BITVS is set in 2009, VITVW in 2010 and then Death in the Valencian Dust in 2013, and Spain changes in this tiny time frame, giving me plenty to work with. As long as Rajoy is in power, enough things will be screwed up, providing plenty of ideas.

I would have to say BITVS is my favourite to write because it was the first in this big project, but VITVW gave me huge satisfaction too, as I feel I have done a really good job with it. I wouldn’t change a thing, and feel my writing style is much better now.

Click here to read the Part 1 with the free book offer Q+A. Part 3 will have all remaining questions, Part 4 is Valencia in photos, and Part 5 is the first chapter, available January 24, the same day as the book release.

Thanks to Graham Hunt for the video, and Juan Antonio Soler Aces for the historical Valencia photos

Part 1: Vengeance in the Valencian Water Q+A (plus a FREE book)

Valencia, Spain: October 1957 – After a long hot summer, Guardia Civil officers José Morales Ruiz and Fermín Belasco Ibarra have had enough of their lives. Sick of dealing with lowlifes and those left powerless under Franco’s ruthless dictatorship, the friends devise a  complex system of stealing babies, to be sent away to paying families. But as the October rains fall, the dry Valencian streets fill with muddy water, and only greed and self-preservation will survive…

It’s 2010, and Luna Montgomery is busier than ever. With the mystery of her murdered grandfather solved, she reluctantly prepares to be the bride in Spain’s ‘wedding of the year’. But four more bodies lie hidden at Escondrijo, Luna’s farm in the Valencian mountains. Her fiancé, bullfighter Cayetano Beltrán Morales, is not eager to have his name brought up in a post-civil war burial excavation. When Cayetano’s grandfather José, an evil Franco supporter, starts to push his ideals on Luna, her decision to join the Beltrán family comes under scrutiny.

The Tour de France is fast approaching, and Luna’s position as a bike mechanic on Valencia’s new cycling team begins to come under pressure. When an ‘accident’ occurs at Escondrijo, lives hang in the balance as more of Spain’s ghosts come to life and tell the story of a flood in 1957…

It’s that time again. With time ticking away until Vengeance in the Valencian Water is released on January 24, it’s time I got onto answering some of your questions! I have merged some questions together, to answer as many as possible, but will post in a few parts. Let’s jump right in.

book covers

1 ) What is Vengeance in the Valencian Water all about?

VITVW is the second in the Luna Montgomery ‘Secrets of Spain’ series, which continues right where Blood in the Valencian Soil left off. VITVW follows the same vein – two different time periods, with their own themes that are bound together by similar circumstances. VITVW is centred in Valencia 1957, with a Guardia Civil officer, José Morales and his battle against the struggles of Franco Spain. Common in this time period was the horrendous baby-stealing practices in hospitals, where the church would steal babies from mothers at birth and sell them, with the law on their side. José gets caught up in this vicious circle, only to find his real adversary is the Valencia flood of October 14 the same year. The story runs alongside the 2010 storyline of Cayetano Beltrán, José’s grandson, and his life with Luna Montgomery, which is under pressure. With the financial crisis weighing down Cayetano’s career as a bullfighter and the impending bankruptcy of his grandfather’s huge business, life is increasingly difficult. Luna is still struggling after the recession claimed her job in the first novel, and just as she finds some stability, her late husband’s alleged drug cheating as a professional cyclist rears its head. The long-awaited trial of a Spanish doctor caught doping Tour de France riders leaves Luna to face a legacy she never wanted to be part of. Luna continues pushing to dig up unidentified Spanish civil war bodies, the common clash in Luna and Cayetano’s relationship in BITVS. All the themes in both 1957 and 2010 interlink as ‘coincidence versus fate’ is again explored.

DSCF5338

Pretending to be researching in Segovia

2 ) How long did it take to write Vengeance in the Valencian Water?

I started writing in February ’13, with the intention of having the bulk of the storyline completed before my research trip in May. That failed dismally but while in Spain, I learned so many things. Once back from Spain I was busy with Violent Daylight‘s August release and the story went on hold. I didn’t get back to VITVW until October and finished at the end of November. The book dragged out longer than ever planned, and many ‘real-life’ things got in the way. I had the background for the book, with the research on the Valencian flood, the baby black market and the drugs in cycling done a year in advance, so when it came time to flesh out the book, there was no delay. Going to Spain to learn more about bullfighting and the reality of the recession in Spain really helped with the final touches. Because this book had swirled in my mind for so long, the writing was the final piece of the puzzle, rather than just writing and seeing where the book led, as I have done in the past.

BXR-AKQIAAEkSOK

wonderful photo by @v_puerto

3 ) How can you justify being a fan of bullfighting? Bullfighting is grotesque, so why do you condone animal cruelty? 

I have heard it all. I have three things that attract internet trolls – bullfighting, supporting cycling (in NZ) and being a feminist. Bullfighting tends to bring out the animal in people themselves. I have been told I am vile, I am cruel, I don’t deserve to be a parent, I am disgusting, my family deserves to be hurt… the list goes on. Are all these people interesting in the way their meat was raised and processed? Bulls raised on ganaderías and sent to bull fights are treated like kings. Quality healthcare, exercise regimes, carefully controlled diets… none of those things are taken into consideration for the chicken or pork in your fridge. Yes, bulls are taunted and exhausted in the ring, surrounded by the real beast of bullfighting – the crowd – who hungers for the animal to die. Is that degrading? Yes – that is without question. Do I feel sorry for the bulls while they stand disoriented and weakened as they get stabbed to death? Absolutely! The combination of watching the animal die, combined with sitting beside people who love to watch the event is not a nice feeling at all. Am I trying to promote bullfighting? I’m not sure if that is even possible – people can make up their minds about the corrida long before they get there. Many argue on the side of tradition, and I can identify with that. Bullfighting is more than killing an animal. The toreros are fascinating men and their dance with death is something I could write about forever. They are brave, proud and skilled. They have a talent that is frowned upon in the modern age, and stand in the ring to cheat death of its right to claim them, and are both reviled and revered every time they do so. (Numbers of men wanting to be toreros is up, not down as expected). I have great respect for these men, but I have no desire to promote cruelty to animals. I don’t plan on opening minds to both sides of the argument – many minds cannot be opened. The bull is the orchestra, the torero is the conductor. The crowd chants for a kill. I don’t write to glamourise the event – in fact, if you read, you’ll find the books regularly grapple with the subject, and show there is more to a torero than his sword.

4 ) Do you need to read Blood in the Valencian Soil before you read Vengeance in the Valencian Water?

A tricky one. Yes and no. Book one tells the story of a lonely bullfighter and a grieving bike mechanic teaming up to unearth a civil war grave, running parallel to the 1939 storyline of their grandparents trying to flee Valencia at the end of the civil war. The story tells of how Luna and Cayetano meet and how unorthodox they are as a team. However, book two tells the story of them battling through the trials of 2010 Spain, alongside unearthing an all-new grave. The story does stand alone, and the book should give you enough of background that you don’t feel like you’ve been denied any detail. But they are designed to run together, with VITVW starting off just a month after BITVS ended.

5 ) Why have alternate storylines? Isn’t that complicated?

I’ve never had anyone tell me that alternate storylines is complicated. I personally feel that VITVW is even easier to follow than BITVS with the different time periods. The series tells the story of Spanish families throughout the civil war and Franco time period. BITVS is a snapshot of life in 1939, VITVW tells of 1957 Valencian life, and the third book (out 2015) tells the story of 1976 Spain, as the country comes to terms with Franco’s recent death. These times are pitted alongside modern Spain and the very real struggles that the nation is facing. Given the laws that the current Spanish government passes, there is no need to imagine fantastical fiction; reality continues to inspire in depressing ways.

Portal de la Valldigna ’57/’13 – Different and yet the same (photo courtesy of Juan Antonio Soler Aces)

I will be back with part two of the book Q+A in a few days, so if your question hasn’t been answered, have no fear! In the meantime –

For 48 hours only – Blood in the Valencian Soil is free on Kindle/Kindle App. Catch up for free before Vengeance in the Valencian Water is released!

(promotion runs from midnight January 9 until midnight January 11 PST)