A LITTLE JAUNT TO SPAIN – REVIEW PART 7: Valle de los Caídos: A trip to Franco’s tomb to see a divided Spain

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You know how Germans dress in their best every Sunday and go to leave flowers and prayers at Hitler’s grave? Oh wait, they don’t, they opened up about their past, dealt with their issues and moved on as a people decades ago. So why are Spaniards having family picnics near the tomb of fascist dictator Francisco Franco? I packed my best possible neutral opinion and set off into the Madrid forests to find out.

“The moment you move the soil over shallow graves, the agony of Spain will pour out, like fresh blood from a wound. All that pain and hatred is covered by a thin layer. Don’t stir up something you can’t understand” – Blood in the Valencian Soil

I’m no ignorant tourist. I’m aware of the tensions that surround El Valle de los Caídos, the Valley of the Fallen. Some say it shouldn’t be open at all, and for a time when the PSOE was in power, it was closed to the public. It was one of the few places on my trip where I was the only foreigner, trying to quietly pass between families of all ages inside a macabre and eerie Basilica inside a mountain.

What is Valle de los Caídos?  It is a giant memorial to those killed in the Spanish Civil War, but ended up as a monument to only the Nationalist side, headed by ultra-conservative war winner Franco, who is buried there. Even the history surrounding the place is murky. ‘Official’ records say it was built by approximately 2,600 workers, and a handful of them were Republican (left-wing anti-Franco) prisoners. (Long story short, Republican prisoners were basically anyone the new dictatorship didn’t like. Proof that ever committed any crime, against the public or the State was tough to find, unless being a Republican soldier counts as a crime, and it was back then). It was commissioned in 1940 and finished in 1959, but a more accurate report was of 20,000 Republican prisoners taking part, and the number  killed in the process is unknown, some say dozens. You can get an idea of how touchy this subject really is.

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Franco inspects the site of Valle de los Caídos in 1940

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Republican prisoners building the cross

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Remains of soldier killed in Toledo arrive to be reburied in 1959

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Watching the opening of Valle de los Caídos in 1959

(click to enlarge the photos will launch an amazing slideshow of pics)

Franco created Valle de los Caidos in the Sierra de Guadarrama, the mountains outside Madrid city. Nearby is San Lorenzo de El Escorial, the once summer palace of the royal family (I visited, and the golden tomb is WELL worth the visit – for another post).  The trouble is, Valle de los Caídos was filled with the bodies of killed men, Nationalist (Franco) soldiers and sympathisers. It was a civil war, Spaniard against Spaniard, but those who opposed the rebel army takeover of the Republic were simply forgotten. José Antonio Primo de Rivera, founder of the fascist Falange party is buried there, and Franco was also placed inside a tomb under the basilica in 1975. The exact number of bodies laid to rest inside Valle de los Caídos is unknown, and could be anywhere from 30-35,000. In the last 10 to 15 years, a large number of Republican families and organisations have found the strength and courage to dig up their relatives who were murdered and thrown in mass graves around Spain. However, some have been removed from these graves and placed in Valle de los Caídos without family permission, which only serves to give this place an even more heartbreaking feel.

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View while driving up the mountain

Political views aside, the sight of this location is incredible on its own. You can see it while driving along the motorway, sticking out of the otherwise peaceful mountains the surround the north side of the Madrid province. We went through an innocuous gate off the main road to El Escorial and made our way several kilometers up the mountainside on a bright and beautiful Sunday morning. You constantly catch glimpses of the behemoth through the trees, but until you are standing below the enormous cross  built on the hillside (152 metres, the worlds’ tallest), you cannot grasp the size and scope of the this place.

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The carpark was filled with cars and buses, and I suspected I was about to turn into another touristed location. Not so! Once at the arch doors to the entrance, the only people in sight were the Guardia Civil. The place itself is situated in a beautiful location and the quality of work done is exquisite. The place could have been built as a place to honour those lost in the war and the healing of a great nation. But given that the crypt is a basilica, and that the church oppressed the Spanish population and the Republican (or left-wing if you prefer) side didn’t support the church, there was never the possibility that the monument could honour both sides of the nation.

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Entrance archway

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View of the Sierra de Guadarrama

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Statue over the entrance – The Pietá

I stepped inside, sadly unsurprised that there is gift shop (After all, what child doesn’t want a gift of a colouring book and pencils from a crypt, or a fan with Franco’s grave printed on it?) I put my camera in my satchel, as photos were forbidden, but I had my iPhone in my pocket, just in case. Then I entered the nave.

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Nave

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Ceiling over the altar

From the moment you go inside, the overwhelming and solemn feel of the cold and dark place takes you over. Giant gloomy and menacing angels brandishing swords bear down on you. The nave is filled with masterpieces of religious painting and tapestries. The attention to detail is second to none. I paused to take in them and the angel statues, but the foreboding sense of the place had already sunk into my bones. Mass was finishing up as I arrived at the altar, and I sat down quietly to listen to children sing in the choir. Children were singing in this place that spoke of death.

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Altar angel

Mass ended and the faithful began to wander around the altar, me included. The first thing I noticed was not the menacing  angels, or the elaborate golden Jesus, but the grave of José Antonio Primo de Rivera, which someone had left flowers. Now, can I judge those who come here? No, I can’t. I don’t know why they come. Perhaps their loves ones were buried here,  as Nationalist believers to the Franco cause. It was a civil war and everyone lost one way or another. Can I, or anyone, look down on these people for coming  to pray? No. Whether it’s for a loved one, to feel closer to the history of Spain, or even if they supported Franco, that’s their decision. But what about the people who came to leave flowers on the grave of the founding father of Spain’s fascist party? What was the motivation there? A grieving loved one, or someone with old evil ideas that haven’t been forgotten? It was shiver up the spine stuff.

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Altar

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As priests wandered about and nodded hello, I found what I had (kind of) came for – the tomb of Franco placed on the opposite side of the altar below the semi-circle of wooden stalls made for the monks and the choir. There lay flowers on the grave, and this time I saw no reason why anyone would place them there. There are many reasons why people continue to support Franco (and it’s a discussion too long for this post) and I don’t see the merit in any of them. Just to the right lay more floral tributes – dozens to be precise, which had been placed to one side presumably because of the sheer volume. A few people were taking photographs, under the watch of a guard. These people had laid the flowers and wanted to capture the moment, no mistaking their alliances in this case. I asked if I could also take a photo with these people and got permission. Why take it? I don’t know, it’s like watching a car crash, it’s awful but you can’t look away.

I was surprised by the state of the place. Perfection? No. Built into a mountain, they must fight their own war with damp, and you can see that in the granite stonework. Water seeps in here and there, which only gave the place a more unearthly and morbid feel. After all, we were all underground, surrounded by graves…

To the left and right are small rooms, with rows of seats and monuments to Spain’s fallen. People lit candles and families laughed and chatted with priests. What says family day out more than this? I sat in the right room, the entombment, which featured an alabaster Jesus statue. I sat and looked at the wall.  Caídos – Por Dios y Por España. Fallen – For God and For Spain.  All of Spain? Many disagree. Republicans denounce this place, and many here on this random Sunday wore Falange symbols on their lapels.

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Inside the chapel of the emtombment

I will admit it – I silently cried as I sat there, which drew the attention of a priest who thought I needed comfort, and the ‘comforting’ hands of old ladies on my shoulder. Me, the young Catholic attending Mass here? Oh boy, that couldn’t be more untrue.

I headed back through the place, fairly certain I wouldn’t ever be back. I stopped by the gift shop to buy a book on the place, in Spanish, about how the place has reconciled Spain. Hmm. I also grabbed an excellent copy of a collection of civil war photographs. The crypt trinkets and religious adornments could stay where they were. After all, who would wear a Valle de los Caídos t-shirt? Why would you, and for what purpose?

The shining moment came as I left the crypt and stepped out in the sunlight. There stood a group of men, all aged 70 or more, hailing a fascist salute at the cross above the entrance. It was well and truly time to leave.

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Panoramic view from the main entrance after the fascist saluters said hello and went inside

If there is one thing, it’s that this place is full of emotion. Good emotions? Not all of them. No good ever came from a fascist salute, but it would be too simple to label everyone who visits there, whether they’re crying at Franco’s tomb or having a picnic outside in the sunshine. I am not a religious person and I am not going to tell Catholics how to pray to their God in that Basilica. The books I bought there, their glossy pages gloss over Spain’s history entirely – after all this time, the war and the subsequent dictatorship is not talked about like it should be. Spain shouldn’t have to hide its past. It has been 74 years since the end of the war and yet its presence still lives in Spanish life, whether people say so or not. In 2011, it was decided that moving Franco’s body would be a way of restoring Valle de los Caídos’ image and making it a truly impartial monument to Spain’s fallen, however as the crypt was elevated to Basilica status, the church can decide, and their opinions are not so easy changed.

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Franco’s burial in 1975  I wonder who the crying  guy is on the left (click to enlarge and view slideshow)

My personal opinion? The place is worth the visit, despite being a pain to get to if you don’t have a car. I travelled alone, and would I want to take my young family there? I’m honestly not sure. It’s not something you will find in the Spain brochures during your Ryanair flight to the beach in Benidorm or Malaga. But if you’re into Spain history, or have a personal or familial connection to the civil war (as have I) you really should visit. Just leave your camera behind and hush your opinions while you’re there. I know what side I stand on, and I took the bus back to Madrid, convinced more than ever of my opinions. But they remain mine. The other people there were very polite, and believe in what they love – that Spain was better under Franco. Nothing I stumble out in Spanish will make the slightest bit of difference. Check out this photo of a wedding over Franco’s tomb though, that was a surprise find. Just goes to show how divided this place can make people.

Photos by abc.es – protesters waved Republican flags and supporters gave out fascist salutes when Valle de los Caídos reopened. The salute seems to be pretty popular

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Want to visit for yourself? – Valle de los Caídos website

Up next, Part 8 of A Little Jaunt to Spain…. Learning to be a tourist in Spain

Click here for past editions of A Little Jaunt to Spain – Spain 2013 in Review

All photos are author’s own, or linked to original sources

A LITTLE JAUNT TO SPAIN – REVIEW PART 6: Bullfighting in Spain – Madrid vs. Valencia

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“Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter’s honor.”

– Ernest Hemingway, Death in the Afternoon

Hemingway sung of praises and pitfalls in Death in the Afternoon. Generations past flocked to the ring. Protestors now stand outside the bullring and argue, as if they can change the minds of those going inside. Some people screw their faces up at the very notion of watching a bullfight.

The first time I was offered a slice of afternoon death in 2005, I didn’t flinch. I didn’t protest, I didn’t go on the offensive. From a young age I ran around on my nanny’s farm, probably terrifying the animals that we loved, fed and named. I also stood with a straight face the day I saw them slaughtered and turned into steaks, lamb chops or bacon strips. That is how the world works. Every animal you have ever eaten was killed, it lay bleeding out before cut up nicely for city folk to buy in little portions.

However, there is the fact that bullfighting taunts the animal before it meets its (hopefully) swift and bloody end. People who have never been to a bullfight can be very vocal of their opposition. That’s fair enough – I don’t need to watch child porn to know that I am steadfastly against it. Those who support bullfighting say it’s a tradition, part of Spain’s culture. Bullfighting is not considered a sport; rather it appears in the art and culture pages of the Spanish papers. I have studied and followed bullfighting in an attempt to learn more whilst writing the art into the storyline of my Secrets of Spain series. No matter how much you discuss bullfighting, no matter your opinions, an afternoon at the plaza de toros can have an effect.

“Bullfighting is like dancing the tango. It is a collection of human emotions – passion, love, anger, jealousy, happiness… all illuminated distinctly in the performance” – Cayetano Beltrán, Blood in the Valencian Soil

With the storyline of my second novel in the Secrets of Spain series, there are fights in both Valencia and Madrid. As the main character is the top billing at Las Ventas, the Madrid bullring, for San Isidro, a premier fiesta in the city, I decided to coincide my Spanish road-trip with this event. I booked a front row spot four months in advance, and lucky thing, because it was a sell-out. I wanted to look the animal in the eye and see how it feels down against the barrier.

To my surprise (or forgetfulness) there was also a one-off bullfight in Valencia for the Virgen de los Desamparados fiesta. Return to the same ring that I had been given tickets to in 2005? Why not? Suddenly my trip had two bullfights – and they couldn’t have been more different.

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Valencia – the cheap seats

I got a seat right at the very back, very top, very last spot of the bullring. If you’re unsure about bullfighting, then this is the place for you. Up high, looking out over the entire ring, you are wholly disconnected from what is happening on the sand. What else could you expect for €15? In saying that, the enthusiasm from my fellow spectators wasn’t diminished. All men, aged over 60, with fat cigars in their hands found it amusing to help a woman find her seat. Poor hapless girl needs help from a Spanish man. (Hey, okay, enjoy while it lasts, dudes. Lung cancer can’t be far away!)

The ring was half empty, but those who had made the trip were keen to see three toreros (or matadors if you’re Anglosaxon), each having two fights. Here’s a very basic rundown of how it works, starting with the pasodoble played with a band headed up by a trumpet.

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Out they come in Madrid

A torero isn’t alone, he has a cuadrilla (entourage, if you will). To start with his three banderilleros (let’s call them pink cape guys in full dress), taunt the bull a little, allowing the torero to get a look at the animal, how it moves, etc. This is a bit of entertainment; the pink cape guys tease the animal, let him run around, get nice and angry. The torero can come in and do what is called the suerte de capote (act of the cape), making passes with the animal. This is the fun thing about bullfighting. When the torero gets it just right, the crowd all let out a ‘ooooh’ at the same time, me included. You don’t need to understand passes (like the veronica, where the torero holds his posture as the bull goes under the cape) to know when it’s done well. It’s like watching a flawless ballet dancer and you can see the gracefulness in the moves. You don’t need to know how to do it to know it’s being done well.  

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Banderilleros in Madrid

Next is the bit I find a little pointless, other than the bloody great point on the end of the lance, that is. In come two picadores (guys with lances on horseback). The horses are very well padded and have their eyes covered. They appear calm, but if you think they are innocent to the situation, I reckon that’s bollocks. Horses are too intuitive for that. Anyway, the bull is suitably pissed off and charges the horses, and the picador jabs his lance into the muscle at the back of the bull’s neck. It’s bloody, meaty and weakens the angry animal.

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Picador gets his lance in the bull in Madrid

Then comes some more taunting, when the three banderilleros attempt to stab multi-coloured banderillas into the neck of the beast. Whether you like bullfighting is irrelevant when assuming that you need to be pretty brave to give it a try, because the bull is mad by this stage and ready to gore you in the guts.

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España coloured banderillas in Madrid

Next is the real action, the tercio de muerte. In comes the torero alone with his red cape and his sword. The torero makes a number of passes with the bull, attracting it with the movement of the cape (bulls are colour-blind) and allowing it to charge past him at close range, the closer the better. (Time for more ‘oooohs and olés’) The graceful movement comes into play and it’s great to see those smooth and precise movements if they get it right.

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José Maria Manzanares can get it right

While you’ll be hearing a few “¡oles!” at this point, the crowd need to shut up for sword time. In theory the torero rams his long sword in cleanly (called the  estocada) and the animal falls and dies. The beast has been pieced in the heart, the aorta severed. The whole faena should be done in about 20 minutes.

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The final bull dies in Valencia

That’s all fine and well, if it works. I watched the full six fights in Valencia, and some were better than others. Unfortunately, the sword didn’t always go in, and it took several, what I would imagine as painful, attempts to sever the heart. All bulls get a puntillero, a dagger, jammed in to make sure they’re really dead. In some fights, the bull had the sword inserted and it stumbled around before dying. That is jeered by the crowd (at the torero, not the bull) and it does highlight the unfairness of the performance. The Valencian crowd (in a half-filled ring) were treated to three reasonable fights, two less than impressive performances, and one I have to admit was well done, with clean passes and a single blow with the sword. That was the only beast that appeared to die right away. In response, the crowd did the customary waving of white handkerchiefs, the indulto, to show their support to have the torero awarded an ear before the check-its-dead-dagger is inserted. Yep, an ear cut from the animal and handed to him in all it’s still warm and bloody glory. At least we got one ‘good’ performance! A torero can be awarded up to two ears and/or a tail.

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A very dead bull gets removed Madrid. I have picture of it being removed and sliced up, but decided not to post it

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High times in Madrid

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Onto Madrid and Las Ventas for the sold-out San Isidro fights. Wow, what a difference! Once the toreros all came in, they held one minute’s silence for José Gómez Ortega, or Joselito, who was gored to death in Talavera de la Reina aged 25, in 1920. It was his idea to have a premier ring built in Madrid. One humorous moment came during as entire 25,000 sell-out crowd stood in silence. About halfway through, a lone voice cried out “Viva España!” The crowd erupted into wild cheering and clapping, which appeared to make the Police in front of me a little nervous. It eventually died down and we had to start the silence all over again.

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Time for silence and prayer

Madrid was cold. Cold on a level I don’t care to enjoy in Spain. The uncharacteristic weather certainly made it hard to enjoy my time on my concrete seat, though the barrier directly in front of me did provide some shelter from the wind. I was blessed with a seat in the sun and I needed every drop I could get! The guy next to me had frozen his way through the fights the previous night in the shaded area, but the problem was that the sun was already beginning to fade. However, as the sun sets and the lights come on, the torero’s suit, traje de luces, glitter and sparkle which is rather beautiful all on its own.

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This is how I see it – anyone could sit in the Valencian sunshine and watch from above. Even someone who doesn’t feel happy about animal killing could cope. Sitting in the front row at Las Ventas gives a far more real experience of the situation. The first bull ran out and I sat close enough to be able to see the bull. It seemed genuinely afraid, lost and confused. You imagine the bull to be angry and this beast was not. As the dance of taunting began, I sat shivering (and politely rebuffing all the coats from gentlemen twice my age. Gracias, caballeros, muy amable) and felt really sorry for this bull. Once the horses had come and gone, the lances were removed from the ring. The guys carrying the weapons stopped right in front of me, giving me the chance to see the spears covered in blood and flesh. I wanted up close, and I got it!

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Preparing for a bull in Madrid

Six fights – and none of them spectacular. To be honest, it can get very repetitive very quickly. For those who thoroughly watch the events and can pick subtle differences, I’m sure it felt different, the same way others find yachting boring when I’m into the action. One thing I noticed in Valencia was that after the first round, many people, primarily tourists, got up and left. Las Ventas – not so. In fact, because I entered the ring early (and thanks to the strapping young chap who accompanied me to my spot and asked me out on a date) I had a chance to watch the crowd. Around a third there were women, a big difference to Valencia, and the average age of the crowd was much younger than Valencia (though not in the prime seats).

Not all the bulls seemed as nervous as the first, some charged out and were keen to get their horns caught in the wooden barrier in their quest to catch a torero or two. Still, when up really close, you not only see but can hear the animal panting. Its tongue, which hangs and drips as the animal tires, quivers with every laboured breath. The further through the faena the bull progresses, the more it begins to moan and grunt, something you don’t hear in the cheap seats. At times, the toreros yelled to the bull to get its interest, as it look bored and exhausted. There were moments when the animals were fired up and ready to hurt someone; the risk is certainly there. But often it looked like a tired animal who really couldn’t give a damn.

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This bull wanted some action

“The animals are brave, noble, and majestic. While it would be a disgrace to allow the bull to live at the end of its performance, it dies with consummate gallantry. He bursts through the gate of fear into the ring and is powerful against the torero.” –  Paco Beltrán, Vengeance in the Valencian Water

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Seconds from death as in goes the sword 

I don’t mean to sound critical of any of the fighters I saw in either Valencia or Madrid. I’ve poked bulls with sticks and run through their paddocks as a kid, but I wouldn’t want to jump in that ring! There is not just the wrath of the bull, but also of the audience. When the crowd became tired of the time taken to kill the bull, they didn’t hold back in criticism. When the sword didn’t go in cleanly (and that was a lot in Madrid) the crowd jeered, me among them. The thing I learned above all else is that the true beast is the crowd, who urge for the kill. The bull and the torero are puppets in a game of cultural bloodlust.

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What did I get out of going to bullfights? In the case of Valencia, not a lot. Judging by the crowds, you can tell it’s not a quintessentially Valencian pastime. Many there were tourists (and there’s a lot of those in V-Town these days), and the place was half empty. Luckily, for my efforts, I got to see a good clean death and and ear awarded (if you consider that good).

In the case of visiting Las Ventas, I got a lot for writing. When Cayetano Beltrán steps out onto the sand in Vengenace in the Valencian Water, to face off against the ghosts of Las Ventas, I’m going to know how it feels to be there, at the barrier, watching him. I don’t doubt the men who take on the bulls, they love it and believe in what they’re doing. There are more men wishing to become toreros than in the past thanks to the recession (so they tell me). I don’t wish to sound negative about their talents, performances or desires to maintain this Spanish tradition.

Is the whole process cruel to bulls, even though they were lovingly bred for this exact purpose? Yes. I don’t see the value in killing for entertainment, and I didn’t think I would feel as strongly about that as I do now. While I respect the rights of those who participate and support, I have no need to ever go back. I didn’t expect to have a feeling of disappointment as I left Las Ventas. Will you ever see me at the plaza de toros in the future? Maybe, who knows.  I’ve had my day at the barrier, and I have many feelings and thoughts to savour and translate into novels, but not all of them good.

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Once back in ‘my’ part of Madrid for some quiet (or not-so quiet) vermouths, I discovered that I had missed the protest against Franco and his wartime slaughtering of Republicans. I would have much rather have been in Puerta del Sol, holding a sign with the face of a loved one attached, one of the ‘disappeared’, as that is in my Secrets of Spain series and close to my heart. A little bit of my ancestral blood is somewhere in Spain’s soil, hidden away. At least that’s one thing I can write in the series without the need to go looking for it. Some people are holding up tradition at the bullring, and some are fighting for Spain’s past and future. Either way, Spain may be suffering economically, but its soul is as alive as ever.

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Un beso muy grande y gracias to a very (handsome in purple) helpful and inspirational torero  – José Maria Manzanares

Watch the video replay of Las Ventas 16 May – San Isidro 16.5.13

Visit Las Ventas website – Las Ventas

Up next… A Little Jaunt to Spain – Part 7 – Valle de los Caídos: Spain’s most terrifying location (prepare for some strong opinions now)

Click here for past installments – Spain 2013 in Review series

*all photos author’s own, or courtesy of Las-Ventas.com

A LITTLE JAUNT TO SPAIN – REVIEW PART 5: Madrid Food Tour with James Blick

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Never complain to a kiwi about flying. Anything less than 12 hours is practically short haul. It takes 30 hours to fly Auckland to Madrid (via Brisbane and Dubai), 25 hours of that in the air. I didn’t sleep the entire trip to Madrid yet again, but I did enjoy watching the scenery of flying over places like Iraq and Turkey. I hit the ground in Madrid, a city I hadn’t visited in seven years. It had all the familiarity of being Spanish, but still, the place felt a bit like a maze.

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Madrid is beautiful place to get lost

Little did I know. After one of those awful half-hour naps, I found myself outside the coffin-shaped Teatro Real on a mild  Saturday evening. It was time to get well and truly lost in Madrid by night. A while back I discovered Madrid Food Tour through founder Lauren Aloise, who put me through to James Blick. In true style, you can’t travel anywhere without running into another New Zealander, so to find I would be tripping around Madrid with another kiwi came as no surprise. I had never been on a tour of any kind before; I’m not a fan in any respect. If anyone can change my mind about something, it’s James Blick.

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Taberna Real

I can only try to convey the fun to be had on the Tapas and History tour. It’s a sights, sounds, smells and tastes experience that needs to be grabbed with both hands. James’ enthusiasm for his city is irresistible, and matched with several engaging couples from the around the world, I started the evening with vermouth at Taberna Real, followed by a warm evening stroll. Plaza de Oriente was filled with families enjoying the last of the sun, along with musicians and locals enjoying a drink in the fading light. It is a part of Madrid I haven’t really wandered much, so by the time we  left Plaza Ramales, the burial place (or not-so burial place in the case of the missing skeleton) of the famous Diego Velázquez besides San Juan Bautista church, I was already lost in Madrid. Not that I really noticed, given the charming company and keen wit of our tour leader.

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Plaza Ramales

 A quick walk through Plaza del Villa and down past Restaurante Botín, the world’s oldest restaurant, the next bar we stopped at was the kind I love – a tiny place, standing room only to sip wine and eat Spanish deliciousness.

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Restaurante Botín

I admitted my dislike for red wine, which set James a challenge to change my mind. Between the chorizo, blue cheese, anchovies and other such snacks, the red selected for me was excellent. Having the chance to visit places with someone who knows the history of the place greatly enhances the atmosphere.

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As the sun began to set, we headed back up Calle de los Cuchilleros and through the archway into Plaza Mayor. I must admit I had never been there, as I’m no fan of crowds of tourists. However, as the sun set the place was rather quiet. We wandered and talked about the Spanish Inquisition and various other activities to have taken place in the square, before heading out in search of better restaurants than the ones on offer in the plaza.

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Plaza Mayor

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Wandering Madrid during sunset

We stopped in Puerta del Sol, to discuss the more of Madrid’s history for those new the place, before we carried on to somewhere the nerd inside of me was excited to visit. (By this time, everyone knew I was a Spanish history nerd, no need to hide it.)

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All quiet in Puerta del Sol

We took in sherries at La Venencia, which I can only assume is named after the tool you use to take a sample of wine from the barrel. It is none other than the sherry haunt of Ernest Hemingway, a man who was still fresh in my mind after re-reading most of his work in the lead-up to my re-visit to Spain. The place looks like it stepped out of the 20’s, and rightfully so. James pointed out that it’s not cool to take photos inside the bar, but I may have accidentally slipped with my iphone and taken one of the dusty sherry bottles (don’t worry, the barman saw me and gave the nod of acceptance).

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Hanging out at La Venencia

The sherries James selected on our behalf were great and very different to each other, as was the conversation between our spirited bunch. It was well and truly dark by the time were spilled back out on the street in search of another restaurant close by.

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ME Madrid Reina Victoria hotel

The final spot of our evening delivered us more delicious fare and more too-easy-to-drink red wine. By now, a combination of alcohol and jetlag allowed for fun and informative conversation, even if the  nearby guests looked at me strange every time I said ‘Franco’. Hey, I was hating on the guy, no big deal! The opportunity to sit in a restaurant in Madrid, early into the morning and talk about Spain, its history, its culture, its economic collapse was exactly what I had come to Spain for.

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Hanging with Federico García Lorca in Plaza Santa Ana

By the time we had wandered back in the direction of Puerta del Sol, the streets had started to empty out and I was more lost than I have ever been in my life! James was kind enough to walk this afraid-of-the-dark woman back to her hotel, and along the way gave out plenty of helpful tips for my solo stay in Madrid.

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Cape shopping, anyone?

Without a doubt, the Tapas and History Tour of Madrid with James Blick is a 10/10 must-see activity. I know my fair share about Spain, but I wasn’t left feeling like I was hearing basic info for first-time visitors. Our group of was a mix of Spain aficionados and newbies, and everyone came away feeling happy and fulfilled.

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I came to Madrid for the bullfights, so I had to get this snapped

I spent a few more nights in Madrid, dominated by friends and beverages before heading on to my more familiar locations around Spain. However, my final two nights were based back in Madrid to take in some bullfighting at Las Ventas.  so I decided catch up with James again for another tour.

I met James in central old-town Madrid and set off on an all different tour of the city. San Isidro was in full swing throughout Madrid, and was the reason I chose Spain in May (and not for the weather, because Madrid, you were FREEEEEEZING that night!). We stopped and took in a view of Casa del Campo as the sun began to set. I wasn’t able to visit the place where two New Zealanders died during the battle of Madrid in 1936, but at least the opportunity to talk about the history of the place with people who were genuinely interested almost made up for it.

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Vermouth dominated the beverages

The streets were full with locals out despite the cold, and after a visit to a church and a helpful San Isidro lesson, in true Spanish style the bar still wasn’t open, even though we were running late. We settled in another bar for a pre-dinner drink- drink (that’s a thing!) to discuss the civil war. (James is well aware of my nerdiness and chatted accordingly. I appreciate his patience.)

Once we couldn’t cope with the cold any longer, we went into Bar Sanlúcar, a small and fantastic place in La Latina. Between the wine, vermouth, bullfighting memorabilia, Andalusian music and salmorejo,  it is a perfect place to visit. It was full of locals enjoying a drink, and we talked about the food, the bar, and the ambiance of the area.

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Bullfighting tickets… why not?

On the three of us went in the cold, discussing Spain’s current economic situation, before we stopped at a great Basque bar. I say great, because it was standing room only, and even then, it was standing against each other kind of popular. We had the chance to partake in Txakoli (chacolí in Spanish), which is poured at a great height, enough to let the white wine fizz nicely. As a white wine lover (no apologies!) I really enjoyed it. The pintxo to accompany the drinks was rabo de toro – oxtail sandwich – which was a weird flashback moment for me. I was fed a lot of that as a child in New Zealand, and didn’t expect that familiar flavour to come rushing back in Basque bar in Madrid. I digress. Whilst you can’t exactly feel the salty air of the Atlantic blowing on you in Madrid, you can  understand why so many people flock to the Basque country for the food and wine. If you haven’t… why not?

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Oxtail sandwiches, baby

On we marched, discussing tips to get the best from El Rastro (I won’t lie, I’ve been once – not my thing) before we stopped at the 100-year-old shrimp institution La Casa del Abuelo on Calle Victoria. It was already late by the time we jumped in from the cold and the floor was littered with napkins and shrimp bits – a Madrileño homage to the greatness of the place. (As a kiwi, throwing my rubbish on the floor in appreciation is something I still feel weird about, even now.) You don’t need to be crazy for shrimp or prawn to eat here, everything is cooked on the plancha (flat grill, for lack of better translation term) and served in garlic deliciousness.

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I didn’t just take the decor pic to snap Manolete’s butt (top centre), I promise

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Me (left) with great shrimps

Our last stop was a more modern style of restaurant, Taberna del Chato. With more white wine and a chat with the guy behind the bar, I can barely recall what we had on the toast. If James could fill in me, that would be great!  The restaurant was a complete contrast to the very traditional shrimp place before; James gave us an excellent mix of what is available in Madrid.

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White wine and… something

Despite it only being about 1am, we stopped at Chocolateria San Ginés, the place where everyone knows their churros. More suited to those stumbling out of bars at 5am for the past 120 years, the place was quiet as we laughed, chatted and looked at the photos of celebs who have needed churros to soak up alcohol for them over the years.

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Churros. It had to be eaten

It was 2am before we were finished and Madrid was cold enough even to chase two kiwis indoors.

Sure, you could probably find these bars and restaurants on your own, and stumble your way through the menus, but you wouldn’t get an experience half as good without James Blick on board. The Tapas and History Tour constantly gets rave reviews and it’s easy to see why. Whether you already know Spain or are brand new, James’ unique, committed and sincere passion for Madrid provides a tasty, eye-opening night out. Whilst daytime Madrid left me wanting, night-time Madrid is a great place to get lost, as long as you have James Blick to navigate your taste buds. Of course, some people couldn’t think of anything more boring than discussing the Spanish civil war all night, but the beauty is that the night can take whatever path you like. Your tour, private or as a group, is tailored to what you enjoy.

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To book a tour with James Blick, or one of the other tours available – Madrid Food Tour

To read reviews about James, Lauren, Alejandro and Kay and their Madrid Food Tours – Madrid Food Tour – Trip Advisor (currently ranked #1 activity in Madrid!)

Like food blogs? – Madrid Food Tour Blog

James Blick’s Blog – Madrid Chow

Lauren Aloise’s Blog – Spanish Sabores

Up next… Part 6 – Bullfighting: Madrid vs Valencia

Click here for the Spain 2013 in Review series – Spain 2013 in Review

A LITTLE JAUNT TO SPAIN – REVIEW PART 4: On the road with ‘Blood in the Valencian Soil’

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The traveller sees what he sees, the tourist sees what he has come to see – Gilbert K Chesterton

There are two things I don’t like – being mistaken for a romance novelist, and being called a tourist. I went to Spain without maps, guidebooks, or a plan for my trip. Yet, I decided to do something that would mix in two things I don’t like, and walked around like a tourist, taking photos of a book about love affairs destroyed by the Spanish Civil War. People in Valencia didn’t look twice at me, such is their relaxed nature. Madrileños looked at me like I was crazy, which was pretty fun. Either way, for several hours, I took photos of my last novel in some of the locations in the book.

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Caught being a tourist at Valencia’s Pont del Real

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Valencia’s Turia is a central point in the book through most of the novel, and in the titles to come in the ‘Secrets of Spain’ series. Who wouldn’t want to visit? I enjoyed sitting in the grass every day of my time in the city.

So here we are, in rough order as they appear in the novel, photos of my book and locations in BITVS. Even if you haven’t read the novel, you can still enjoy some beautiful parts of Spain –

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Chapter one – 1939: view of the Cuenca Convent San Pablo from the Beltrán family home in Barrio San Martín

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Chapter one – 1939: Cuenca’s Casas Colgadas, Hanging Houses, where Cayetano, Alejandro, Scarlett, Luna and Sofía discuss the civil war

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Chapter two – 2009: Madrid’s Plaza de Toros near where Luna meets Cayetano ‘the bull-minder’

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Chapter two – 2009: a walk in Madrid’s Retiro park

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Chapter three – 2009: a night at Madrid’s Ritz hotel

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Chapter seven – 1939: the drop from Luna’s window

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Chapter eight – 2009: Cayetano follows Luna in Valencia’s Turia

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Chapter 11 – 2009: Luna and Cayetano go to Cuenca in search of their namesakes

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Chapter 12 – 2009: Cayetano and Luna get into a fight at Cuenca’s cathedral

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Chapter 13 – 1939: Luna, Cayetano and Scarlett panic run up Cuenca’s Barrio San Martín steps

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Chapter 14 – 2009: a stolen night in Cuenca’s parador

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Chapter 19 – 2009: another visit to Madrid to uncover the Beltrán family secret

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Chapter 21 – 1939: a secret burial in the Valencian mountains

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Chapter 21 – 1939: arriving in Valencia as the war comes to an end

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Chapter 21 – 1939: Placa del L’Angel, where a plan to survive the war is hatched

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Chapter 24 – 2009: a disasterous night out in Valencia’s El Carmen district

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Chapter 26 – 2009: a secret hideaway in the Valencian mountains is found

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Chapter 29 – 1939: panic at the clock tower at Valencia’s port

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Chapter 33 – 2009: Luna goes back to work as a Valencian bike mechanic

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Chapter 34 – 2009 and 1939: a declaration of love (written on Cuenca’s gorge bridge) that is broken and forgotten

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Chapter 35 – 2009: Cayetano hears a painful truth, another barrier to getting back in the bullring

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Chapter 39 – 2009: a bullfighter and a bike mechanic at the Valencia’s Plaza de la Virgen fountain

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Chapter 39 – 2009: the entrance to the Valencia cathedral where the Water Court meet

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Chapter 45 – 2009: a new grave discovered in the Valencia mountains

There you have it! Because I am doing posts on Valencia, Madrid and Cuenca, I didn’t feel the need to go into specific detail about each location, I will save that for other posts. In the spirit of not planning my trip, I unexpectedly ended up in Xátiva. I didn’t want to visit the town again, but the fun trip gave me this photo, standing in the spot where, in 2005, my husband took a random scenic photo. It ended up being the photo that graces the cover of BITVS, but I didn’t have a copy of the book on me that day!

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So, what happened to the copy of the book in the photos? It got autographed and given to a friend who was kind enough to accompany me on a very cold day out in Madrid as I took the photos. Thank you for your good humour and an arm-in-arm stroll in Retiro, in the spirit of the novel. Being able to talk about Spain and the civil war every day was the highlight of my trip.

Up next… Part 5 (of 10) – Madrid Tapas and History Tour with James Blick

*all photos are authors own, with the exception of photos 1 & 2. Owner – Sabine Kern.

SPAIN BOOK REVIEW: ‘The Anarchist Detective’ by Jason Webster

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Sent on leave after his last, brutal, case, Max Cámara returns to his home town in La Mancha, famous for producing the finest saffron in the world.  

There, the past keeps pulling at him. The town is exhuming a mass grave from the Civil War, but why is his grandfather behaving so strangely? His old friend Yago is investigating a particularly nasty murder which sets off memories Max has been trying to bury for years. And then there are Yago’s whisperings about a saffron mafia…  

Max finds himself plunged into the thick of a complex and intensely personal case that will put him in severe danger and have him questioning his past – and his future in the police.

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Max Cámara, the cynical, persistent, pragmatic, intelligent, likeable Spanish detective is back and better than ever. Valencia’s most dogged detective is on leave, and in self-imposed exile in Madrid, to cook, read and have sex with the lovely Alicia. But is that enough for a man like Max?

Max is pulled back to his hometown of Albacete, a place he has sought to run from his entire life. The author expertly describes the mood of this provincial Spanish area; the stark landscape that surrounds the barely-enjoyable place is evident throughout. It’s dirty, it’s stuck in the past, it’s a place where any man would want to leave his memories behind.

The character of Hilario, Max’s grandfather, once again steals the show with this witty lines, stubborn attitudes and bold behaviour. Hilario is a link to the past that Max cannot escape, and as more details of the man’s past, and the past of his relatives, come to life in Hilario’s unremarkable apartment, the reader can learn more about Max than ever before. With the last two novels, Or the Bull Kills You, and A Death in Valencia, hints of Max’s life have delighted and teased, but now so much of Max’s troubled past bursts from the page, serving to illuminate the character and make him even more complex and yet more relatable.

Pressing issues in today’s Spain dominate the storyline; when a young girl is murdered, Max finds himself on the trail of murderers and also corrupt leaders, their hands yellow with the stain of saffron smuggling. Max juggles this modern-day issue, along with ghosts of the past; the local cemetery is digging up Civil War and Franco victims, and the two events are more interlinked than Max could imagine. The conversation surrounding the idealisms of pre-war Spain are explained in such a way that those with little knowledge can easily understand, along with the fear imposed on the population in the post-war 1940’s. Sentimentality is spared as the facts are told through the eyes of a person who has had to deal with the reality of living in such times.

Webster brings the book and its themes to life through comfortable and believable relationships between the characters. Max and Hilario’s family connection is convincing and authentic, and his relationship with journalist Alicia is refreshingly realistic. Any person who has suffered a difficult childhood and wished to leave their early life behind can feel Max’s desire to run and never look back.

The whole novel, dominated by the stuffy atmosphere of Albacete, holds Max in a kind of purgatory in which he needs to escape. Is the future back in Valencia? Perhaps Madrid? Max may be able fight crime and lay ghosts to rest, but can he stop himself from sabotaging his own future?

The book reaches a satisfying and poignant end, and leaves plenty of scope for yet another Cámara installment. The scenes in the hospital can feel very close to home. Readers may never put saffron in their cooking again without thinking twice. Even Max is looking at his paella sideways…

The Anarchist Detective is the best Max Cámara yet. Webster’s talent with this character strengthens with every installment. Spain’s past and present weave together to produce an eloquent and emotional novel that can be read in a single sitting.

The Anarchist Detective – 5 stars! Superb must-read

Available in hardback and on Kindle – The Anarchist Detective by Jason Webster